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She liked the #vespers held in the park. She could actually attend the evening service because it wasn't held on church-guarded holy ground, but she could appreciate nature's peace. The darkness also made it easy to pick up a snack afterward.

Inspiration: vespers
Potential: low
Notes: Eh, it's a vampire thing. Although I like the whimsical nature of the character, this isn't particularly a story idea in itself. And she does appreciate nature and creation, still.
When arriving in a new town, I always go to the churches and listen for the differences in their #dogma first thing. They've got a stake in keeping their congregations alive, you see, unlike town shareholders. A parable about Grnphs saved my life in Ringtown, recently.

Inspiration: dogma
Potential: low
Notes: Eh, not very interesting to me. I do think that churches would be a good way to get the lay of the town, but I'm not all that interested in this character or Weird West situation... Or it could be SF and planetary colonies, I guess.
We have the saying, "Naked as a werewolf," for two reasons. One, people don't always have a choice in why they're #naked, so be kind to them. Two, you never know how dangerous a naked person is, so try not to get killed. #vss365 #prompt

Inspiration: #naked
Story potential: High.
Notes: Mostly I really like the voice of this one. I'm thinking this is a law enforcement person, or some kind of social worker.
"Is that a gun in your pocket, or are you just happy to see me?" she asked coyly. Then, as her fingers explored the bulge in his pocket, she frowned. "Wait, what is this? Is it a gun?"

He sighed and pulled out his pocket knife. His personalized, gun-shaped pocket knife.

"Whoa!" she said, backing off. "I'm not--into that kind of thing. I mean, no offense, but maybe we're not so compatible after all."

"I'm not either," he hurried to assure her. "The reason I have this is kind of a long story, but--"

Inspiration: That exact item in the Lilian Vernon catalog. LOL.
Story potential: Medium.
Notes: I kinda want to know the story, too. Like, is he some kind of spook or special forces? Is this a family thing?
Right here, right now, is all we got. I tell myself that because I hate the part that comes next. The flying, mostly. The being shot at is bad, too, but if they don't hit you you don't even notice it. If they do hit you, you're dead. The explosions take some getting used to, and I'm pretty sure I have some kind of PTSD, but I can still shove it down and ignore it. For now. No, it's really the flying. I must be the only superhero who, when they found out that they had an ace power, broke down and wept with terror. I hate heights, you see. It's why I learned how to backfly. People think I'm showing off, but it's really that I can't stand to look down. If I'm looking at the clouds, I can pretend I'm floating on the ocean.

Inspiration: An anthology call for superhero stories, looked up the art and it was all flying folks.
Story potential: High.
Notes: Eh. Could be interesting to have a whole team of conflicted superheroes who support each other and understand and etc., but one on it's own not as much. Actually, waitaminit, that makes it high potential. Yeah. I like it.
I took a deep breath and gasped myself back to life, as I felt my sister sigh and pass away beside me. Sometimes we found each other lingering together long enough to touch hands and smile. Not this year. This year, I roared to life and I felt the strength of it, the hunger of it, in a way I hadn't for years. I felt like I could go to all the BBQs and eat six steaks and all the potato salad and maybe take one of the little kids running free as a desert. It would be that kind of summer. I'd sing with the jets rushing overhead and spread my arms wide with the snap of an American flag in the wind, and I'd visit hundreds of elderly people in their tiny hot apartments after the power blew out, because it was going to be that kind of summer. My kind of summer. I would come out of this one glutted on pinwheels and parades and BBQs and death. I could tell.


Inspiration: La Mort du Printemps: https://www.deviantart.com/art/La-Mort-du-Printemps-738504334
Story potential: High.
Notes: I like the idea of the seasons as vampiric sisters, who pretty much destroy all the things. This isn't a plot, though.
In what we eventually decided to call The Case of the Hollow Client, we didn't realize she was hollow at first when we took the case. Granted, I think that innate sexism that I've tried so hard to banish from my own thoughts reared its ugly purple head when she walked into the room and said, "I don't care if she seems funny or off-kilter or a little bit not-there, take a look at that body! Especially that bit. Those, too. And did you see the--oh, crap, she's looking at us." And so I was too busy trying to cover my own reaction, since one never wants to be quite the sexist pig that one's ex-wife told one one is, and I never noticed that she didn’t have the reaction to my reaction that a normal reactionary person would have. If you follow my drift. So I have only myself to blame for some of the weirdness and the sadness that we ended up in later. Of course, I also only have myself to blame for the parts of the thing that were incomparably grand and worth every penny that she'd promised to pay me and didn't.


Inspiration: Sherlock, "The Sign of the Three" - so don't use that case name!
Story potential: High.
Notes: I rather like the idea of an extremely self-aware protagonist who is, in fact, very sexist in his first impulses and very good at not actually acting that way. Most of the time. Could do the same gig with something else, I guess, but it might be a bit much to make him sexist AND racist AND etc.
I am obsessed with paper. I think this would be easier if I lived in another country, one that shared my obsession. Japan, perhaps. Paper walls, paper folding--it would fit. America is more difficult. Paper is thing to be thrown away, not to be treasured, ironed flat, and saved. Usually not even to be recycled. We have trees; we can just make more. And if we run out of trees, we can just make more of those. I find myself picking up pieces of paper discarded at bus stops, lurking in trash bins (as long as not contaminated by food), blowing along the street. I rejoice when I see one of the delivery guys rubber-banding a restaurant menu to my doorknob. Fish and chips is my favorite food because it comes served on a paper, even if that paper is now stained beyond saving. It seems right. And in restaurants that use real newspaper, sometimes the words print on the fish, a reverse transfer. I suppose it's all very much in violation of health codes, but it seems real and right to me. So when a store opened up in the nearby strip mall--which I only go to because it's the only place I can find jeans in my size (not that I'm fat, you understand, no, I have the opposite problem)--that sold only origami, it was love at first sight.


Inspiration: J.J. Abrams' "Mystery Box" TED Talk
Story potential: Medium.
Notes: Character!
Nobody wants to be alone. Everybody wants to love someone. Or at least, they want someone to love them. There is a perverse kind of comfort in pushing someone away who cares about you. That’s where I come in. I used to be an escort, one of the really high class kind that is only arrested as part of a massive sting, not the kind that gets rousted along the street corners. And I somehow fell into this weird little niche that doesn't require spreading my legs at all, only opening my eyes really wide, crying on cue, and generally being able to act a little stalkerish. It started when some guy hired me to show up to the restaurant where he was going on a second date with this other girl, so that I could make a scene. It worked for him. I thought it was a little sleazy, but what do I know? I got a thank-you card and a photo of them from their wedding only six months later.


Inspiration: "Androgyny" - Garbage
Story potential: Low
Notes: Not a story here, but it is an interesting character. Also, have it be a transition as an actress, not from a prostitute.
Stocking up and packing baby stuff is a lot less easy when you know that you'll be out on a colony that has literally *nothing* that isn't requisitioned in advance. There won't be a baby store you can run to to find something you forgot about, and there won't be a delivery network that can get you whatever you think is necessary within 24 hours of you discovering that you need it. My mother tried to reassure me by telling me that hundreds of years ago pioneer women were in the same situation, and most of their babies survived just fine! For starters, shes not a historian (I am), and so she doesn't realize exactly how awful the survival rates for infants back in the day really were. Fortunately, most of that was for medical reasons, and one thing that we are guaranteed is an absolutely top notch medical team, an expert vaccine formulation, in-home health AIs analyzing and monitoring every little breath and heart murmur. In a lot of ways, our health will be better looked after there than it is here. I mean, how many private citizens an afford a doctor on call and 24/7 monitoring? Not many, that's how many. And I know I'll have enough nappies and bottles and blankets. I'm just worried about the things I'm not thinking of. I even begged my sister-in-law to let me just stay in her house for a week and help out with her one-year-old. She didn't refuse, funnily enough! And I did get a few more ideas, but it's not the same as what I might need for a newborn or a six-month-old. I'm just going through all the lists and asking every mother I meet. My husband initially joked that I was going to fill up our shipping allowance with baby stuff. I think he means it less as a joke now, although the amount we were given seemed princely and impossibly large when it first came up.


Inspiration: An email with a subject line about packing for baby.
Story potential: Medium.
Notes: Though I do like the idea of including a pregnant woman the next time I write a colonization/space story. Extra needs, different priorities.
The jukebox was playing my tune when I walked into the bar, and that right there should have been enough to make me turn around and walk back out. But I like my tune. That's why it's my tune. It puts some extra swagger in my Levi's and some extra oomph in my smile. Least, that's what I judge from the way the barflies react when I walk in during my song. The rest of the time, I get about the same up-and-down as you'd see in a normal bar setting, followed by--well, followed by whatever their inclination is. Subtle smiles from the working girls who don't want to be too blatant, a little too much desperate hope in the eyes of the older women at the bar, and quick dismissal from the good-looking girls who really are just there for a drink and maybe a quick flirtation if the right handsome young guy walks in. I ain't him. But sometimes, when my tune's playing, I look like something a lot more interesting. Call it the blessing that my fairy godmother gave me in my cradle, or the curse that the wicked fairy laid on me. I have soundtracks. Not just for entering bars, either, though my job interview soundtrack hasn't helped me much except to distract whoever it is who can't figure out why the radio won't stop playing that long and somber song. That it's somber might tell you a little something about how my job history goes. I got a job doing long-haul work across the continental, and that's good enough for me. It does mean I walk into a lot of bars,though. Not much else to do when you're on the return with an empty load and no deadlines, or when you're waiting in a city for the load promised to show up in a week. You better not be wasting gas driving around, that's for sure! So usually it's visiting the bar that's near the hotel, or taking a bus into the downtown, if there is one. A bus or a downtown, that is.


Inspiration: Pit Stop (Take Me Home) - Lovage
Story potential: Medium
Notes: Eh.
Clumsy. That's what she always thought she was, until she went into the mirror shop and there was the one mirror way at the back that showed a whole cluster of spirits and demons clinging to her shoulders and back and legs and...well, everywhere, really. Once she saw it, she felt the pinpricks of their claws through her clothes. She spun to face away from the mirror, closed her eyes, took a deep breath, and tried walking to the store door. She still felt the pinpricks, shifting as the creatures shifted their weight, and she felt the brush of wings against her bare skin now and again. Well, she thought, dizzied, that explains it all. Either I'm crazy--but she was pretty sure she wasn't, there were enough stories about the demon-carriers that she thought they must be a real thing--or that explains my clumsiness. And why I'm so strong for my size. If I've been carrying around all these extra creatures since I could walk, my muscles must be stronger than those of everyone else. But why can I see them in the mirror, and how can I get rid of them, and what--what do I do now? She strained her memory for the stories of the demon-carriers, but all the stories had been quest/adventure type things, with nary a mention of how they got control of their...condition. Call it a condition, she decided. She turned and walked back into the store and stared squarely in the mirror. The creatures glanced over at it, and then got excited, standing up on their hind legs and pointing. "Yes, yes," she said wearily. "I can see you. You can see yourselves. Great. Now what do we do?" "Can I help you, Miss?" a polite voice--


Inspiration: "Clumsy" - Jane Jensen
Story potential: High.
Notes: Either a pure second world fantasy or maybe one based on a more recent real-world era. I'm tired of the Victorian thing, and I don't want to do the medieval thing, either. Harrumph. Also, this smells like a novel.
"Due to the nature of the child's parents, it would seem to make only good sense that her custody is divided equally between the two parents, given what the medical professionals involved have explained regarding her...particular...needs. They assure me that with time it will become evident with which parent she should reside, but until that time, it is important to provide equal time, given various assurances of her safety regarding...manifestations of her nature...in either location." She sat there, trying to pretend that she didn't even know this family that the judge was talking about, but it was no good. On one side sat her earth-walking mother, wearing fancy high heels as fi to emphasize that she could, her skin tanned from the time she spent outdoors but her hair coiffed to such perfection that it made it clear most of that time was not spent in saltwater. On the other side sat her water-living dad, his hair a sun-bleached tangle that glinted now and then with a strand of pearls or precious metals tangled in it, his clothes the easily shed, waterproof kind, and a pitcher of water large enough for a meeting of twelve sitting in front of him--half-drunk. It would be seawater, too, she knew. She liked seawater well enough to drink, herself.


Inspiration: "Harbour Lecou" - Great Big Sea
Story potential: Medium
Notes: What happens when a merman and a human woman really, really don't love each other anymore.... I like the character of the daughter, though.
I'm becoming less defined as days go by. This is--a strangely fascinating process, to me at least. To everybody else, I suppose it's the exact opposite since you don't see me as much or as often or, let's face it, as me. I think. Part of me thinks that I’ll end up being nothing because of this whole process. Another part of me thinks that I'll eventually let all the peripheral parts of myself turn into mist that blows away to reveal the real hard bedrock of who and what I really am, and maybe the mists will enclose about me to confuse everyone, like an island in the fog, or maybe the mist will be gone forever and the truth of who I am will burn so brightly that people will start wearing sunglasses at night. Heh. I see that even if much about me is becoming less defined, my tendency towards hyperbole is unassailed. I don't know. I go to a restaurant these days, and I stare at the menu for an hour because I can't remember what I like or don't like or if it's even important. It doesn't really matter, though, since more than half the time the waitress won't even be able to see me to take my order. Or she sees me, rather, but doesn't find it interesting. In the end, the last time I went out, I just walked into the kitchen and lifted a plate and carried it back out with me to eat. I think the chef might have seen me when I touched the plate, but as soon as I lowered it below the level of his counter, I became--not invisible, but unimportant to him again.


Inspiration: "Only (Richard X Mix)" - Nine Inch Nails
Story potential: Medium
Notes: Could be a character, if supported by stronger characters. Not a story-carrier on his own.
Body Language: Figures in Clay Art Exhibition

It didn’t matter how many of the others--the ones like they had been, once, and still were if you wanted to get technical about it--it didn't matter how many of them died. The wolves would tear them to pieces whether they were here or not, but somehow, she knew, her sanctioned presence made it matter, somehow, more than it would have if it were written off as the random violence that it might have otherwise been. It would have been a drug thing gone bad, either in overdose that drove people crazy or as some kind of violence that could be explained away. But she was here, she was of this world, and she saw the teeth that sank into the flesh of the dancers and worried it from their bones. The bodies hit the floor all around them. She watched, because that was what she was supposed to do, and because that was the one thing that kept her and Caleb alive. Caleb especially. It was her job to take care of her younger brother, and so she did. He huddled within her embrace, his face pressed against her chest and his eyes closed, wincing tat every squelch and scream and tearing rip that sounded like nothing else in the world. She watched, because she was the one who watched. At first, she'd been angry and jealous that Caleb got to hide and pretend that it wasn't happening. She was angry for his weakness.


Inspiration: "Let the Bodies Hit the Floor" - Drowning Pool and http://www.flickr.com/photos/theskylineview/8490684028/
Story potential: High
Notes: Maybe not a main character, but, I dunno, a side character if I ever write an urban fantasy/fae story where it seems to fit. And look at that awesome art!
He didn't find out about the ordinary places where the regular workers could retreat to until he went to Space Bob's burger, ordered the basic burger, and burst out in tears when the waitress glided up with a burger on a bun, with lettuce and tomato and pickles cut in the shapes of the planets, with fries extruded to resemble space elevators, and the plate being a smooth bowl with a surface that pulsed constantly with strobe lights like one of the mythical UFOs. The ketchup was green, just to make it more alien, and now and then the silhouette of an alien waving walked along the side of the bowl. It was just all too much. He'd stood with the uneasy stomach that lighter gravity produced, he'd done okay with windows that you felt like you could fall into the abyss through, and it was this stupid, simple tourist trap burger that was his undoing. He wasn't a guy to cry, either, something he thought was important he explain to the waitress when she hurried over. Her expression was ruefully amused as she answered--


Inspiration: A friend posting a video of his "basic sashimi."
Story potential: Medium
Notes: Nice touch for setting up the character/worldbuilding. Basic job hazing on a space tourist trap.
215/365 How Many Days Until We Get a New Wishbone?

143 Days to Christmas! The number ran ceaselessly through her head as she scanned the want ads.143 days to Christmas meant 120 days until she had a job that would come naturally to her, with her short height and chin-length hair, her pixie features and even the delicate curl of her (docked) ears. It hurt, at first, to clip the artificial points onto her ears and be reminded of what was lost, but now it was once again just a sign that her favorite (or at least easiest) time of year had come around again. The rest of the time, the job market was killer. Sometimes she could get a bit part in a TV show, but she knew well enough that she was no actor. She was pretty, but not model-pretty, and way too short. She was too short for almost all behind-the-counter jobs, and she didn't have the education to get jobs sitting behind a desk and tapping away on a computer. She kept meaning to save money from her Christmas jobs to put away for a little more education that would allow her to figure some of that sort of thing out, but it was such a relief to have any free money again that she found herself buying extravagant groceries and going out to dinner or seeing movies or getting a lovely dress that actually fit correctly instead. It was hard to live like she did the rest of the year, existing on $1.50/meal menus and living in the cheapest basement apartment that she could find, never buying new clothes, only used children's clothes from the second-hand stores, never buying new books or new art or handmade items--nothing that would make her soul sing. About the only thing that she could afford, she figured out, was to plant and grow things (highly unusual for a wintery creature such as she had been) and to fold origami artwork from discarded newspapers. Once she figured out how that worked, she loved it. She used natural dyes--by which she meant she used dyes that she could, made from her kitchen refuse or scrounged from her garden--and newspaper origami creations hung from her apartment ceiling and decorated the shelves and made long, festive garlands that crisscrossed above the furniture. She knew it would make her look insane to anybody who came inside, but--


Inspiration: http://www.flickr.com/photos/27357821@N00/9428560231/ - And yes, I was a bit startled by the extremely random nature of this Flickr photo, too.
Story potential: High.
Notes: I like this character, and it would be an interesting way to have a disabled character who is not less than she is supposed to be.
It could be disconcerting having a roommate who changed gender state a dozen times in the time it took him/her to walk home from his/her office, and of course the subtle other changes that went along with attraction to a particular phenotype meant he never really looked the same from day to day, or even--on particularly high-hormone days--hour to hour. Sie didn't mind. As far as sie talked about hir condition, sie said it was just fun, and that sie enjoyed feeling the surges and changes in hir body in response to other people sie found attractive. Some people might hate it and hide in their apartment, working remotely and refusing to watch television for fear that it might trigger a change, but not sie. A good movie marathon could have a different person sitting on the couch each time the lights came up for break, and that was the way sie liked it--


Inspiration: "Fidelity" - Regina Spektor -> Googling "loved nobody fully" -> "Common Myths of Bisexuality"
Story potential: Medium
Notes: I like the idea of physiological changes in response to attraction and what that would mean to somebody who was attracted to *lots* of people, but it's a one-trick pony story and I don't think it's saying anything particularly new and interesting. Also, pronouns.
She sank down into the blue-green waters and thought, "This is worth it. Being able to live here, being able to do this whenever I want, it is worth all the inconvenience and the trouble and the stress of the job." She hadn't swum this particular coral reef before, but it was far off from the major visiting areas and so she had some hope that it would hold some of the more shy and hard-to-observe species. After all, she told herself, there was nothing wrong with having a hobby, and hers was stilling underwater species in their natural environment. She'd managed to sell a few of her stills off-world for a sum large enough to buy out one year from her contract. Still twenty-six years left, but that wasn't so bad. Lots of people did worse. She was careful never to buy from the company store any of the luxuries that could have easily added even more time to her sentence--contract, she correct herself. She would probably have to bite the bullet, so to speak, in about twenty years when it was rejuv or head for the threshold beyond which you were nonrenewable. She didn't like the idea, but it didn't come standard as part of the contract, and it wasn't the sort of thing that--


Inspiration: Google "carved box skin" -> image of two angel skin coral carved Asian women.
Story potential: Medium
Notes: Could be a story, doesn't demand to be. Oh, and I'm pretty sure she finds carvings underwater, grown over or whatever.
I got into the superhero business because I'm what I guess you might call a fish-whisperer. At least, you might call me that if you're desperate or stupid. Personally, I prefer Captain Lola. When most of the land can't grow safe, edible food, and the sea is only just now beginning to recover, it's a delicate dance to find fish, but sometimes they're the only thing that you can eat, and at least all housewives learn how to test the flesh for heavy metals. So when the fish suddenly go away, it's a big problem. People can starve. Whole generations can become village idiots--and once that happens, it's really hard for a village to get back on its feet again, since nobody except maybe the oldest oldie will remember that they shouldn't eat the tasty vegetables, or at least they shouldn't feed them to their kids. Lots of adults gamble with it, see if it'll give them cancer or liver failure or shorten their memory to the lifespan of a gnat. Sometimes there's no other choice.


Inspiration: Captain Lola song led to Googling it, led to finding Lola the fish-whisperer.
Story potential: Low.
Notes: Maybe too close to home for me, plus not actually really a story. Oh, and no, she's not actually a superhero. Duh.

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