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There had been forty darks since the man died. A red light blinked in the corner of Rex's eyes, an alarm that matched the red light blinking on the new-man-place. The Man had not emerged. After thirty darks, the Man was supposed to leave the new-man-place. He would smell funny, but he would smile and call Rex's name and scratch him behind the ears in just the right place. Then he would go in the shower and put on skins that made him smell more like the Man should.


Inspiration: DeviantArt painting of dog alone, staring out of overgrown ruin. https://www.deviantart.com/art/Alone-701194787
Story potential: Low.
Notes: So the dog goes on a quest to find someone to fix the cloning tank, and he finds a child, and it ends up becoming part of the pack. Meh.
When the sun set, the city rose up. When we were kids, our moms would take us out to the pier to watch the city rise up. They would tell us all sorts of tales about what the city was, whether it was magical or terrible or both, but all the tales would end with the same moral: don't go there. Even the good stories, the ones about enchantments and magic and fairy princesses, emphasized the sadness and the way that nobody who ever went there ever left. Some of the stories said it was because the visitors ate or drank something, but when I was a little older and started reading the books in the library, I stumbled across an old book of fairy tales and there it was. Does that mean the city was made by real fairies, or just that the idea of somebody being trapped by their own appetite was derived from those old stories? Could be either, I guess. At any rate, I never was one of the kids who dreamed of the city, who imagined going there and returning rich and famous and with all the girls smiling at them because they had done what nobody else does. Every year a kid or two leaves to "go to the city." They never come back. Truth, I suspect a handful of the disappearances of kids or adults isn’t because of the city at all, but it's easier to point a finger at that mysterious thing that rises up at sunset every winter night and say, "They did it," then it is to suspect someone else of murder or worse, or to think that your husband or wife or child simply left to go somewhere more mundane. Then one winter, it was my sister's middle child who disappeared.


Inspiration: Photo of a city along the shoreline that is almost invisible in the twilight. http://www.flickr.com/photos/pitgreenwood/12083163145/
Story potential: High.
Notes: Not sure what the city is, but it isn't what's expected. And by the same token, this protagonist isn't what the city would expect.


The post of Writer for the Sleeping Child was a fairly prestigious one, and well-paid, and it wasn't as if anything bad was happening to the Child. The Child--slept. The Child would always sleep, until it was no longer a child. Then it would wake up and be taught all the things about the world that a non-sleeping child would have learned from the time it could open its eyes and look around. Except how to talk, and certain other aspects that were significantly distressing to most people who interacted with the former Child. He was pondering what he would do when the Child woke. He had not had it for its full life; there was a previous Writer who had decided to stay on for the next Child. He did not think he could do that. He knew too much of her sighs and the slight lisp with which she talked, he knew what many of the symbols meant and annotated them in the Writing as should be sent. Some Writers adopted the Child when it awoke, took it home with them and made it part of their family. If he had a family, he thought he would have done that, but he did not. He knew very little, really, about even normal children, and so he worried that he would not be able to take proper care of her. His family still lived out in the country, by the foothills, a journey of a week's length that he made only once a year, in time for the annual Moon Dreaming festival. He would not be able to rely on their support as another unprepared father might. And he could not move back, first because his entire life as far as he could remember living there was devoted to escaping, and partly because his only chance at making a good income to support a family was to stay in the city. He did want a family, he just wasn't particularly good at talking with women, and he knew none of the ways that a solitary man might acquire a family. If his sisters had lived nearby, he assumed he most likely would have been married for a good ten years already.


Inspiration: http://www.danielmerriam.com/index.php?option=com_ponygallery&Itemid=0&func=detail&id=150
Story potential: High.
Notes: She wakes up early, say at--oh--ten. And no, there is not nor ever will be anything romantic between them. Ew. But because she wakes up early, she retains more of the powers of the Dreaming Child than normal, at least when she sleeps. And then plot ensues.
Stocking up and packing baby stuff is a lot less easy when you know that you'll be out on a colony that has literally *nothing* that isn't requisitioned in advance. There won't be a baby store you can run to to find something you forgot about, and there won't be a delivery network that can get you whatever you think is necessary within 24 hours of you discovering that you need it. My mother tried to reassure me by telling me that hundreds of years ago pioneer women were in the same situation, and most of their babies survived just fine! For starters, shes not a historian (I am), and so she doesn't realize exactly how awful the survival rates for infants back in the day really were. Fortunately, most of that was for medical reasons, and one thing that we are guaranteed is an absolutely top notch medical team, an expert vaccine formulation, in-home health AIs analyzing and monitoring every little breath and heart murmur. In a lot of ways, our health will be better looked after there than it is here. I mean, how many private citizens an afford a doctor on call and 24/7 monitoring? Not many, that's how many. And I know I'll have enough nappies and bottles and blankets. I'm just worried about the things I'm not thinking of. I even begged my sister-in-law to let me just stay in her house for a week and help out with her one-year-old. She didn't refuse, funnily enough! And I did get a few more ideas, but it's not the same as what I might need for a newborn or a six-month-old. I'm just going through all the lists and asking every mother I meet. My husband initially joked that I was going to fill up our shipping allowance with baby stuff. I think he means it less as a joke now, although the amount we were given seemed princely and impossibly large when it first came up.


Inspiration: An email with a subject line about packing for baby.
Story potential: Medium.
Notes: Though I do like the idea of including a pregnant woman the next time I write a colonization/space story. Extra needs, different priorities.
"Oh, no," Mira groaned, when she got home and took her toddler out of his snowsuit and emptied out the pockets and found...it. "You're not supposed to take things out of there. You're not even supposed to be there! How can I...maybe if I wait until tomorrow to return it, they won't have noticed. I can't go back tonight. That would be too suspicious. And they'll think I stole it and then felt guilty, which is just as bad as stealing it and not feeling guilty. And if I say that you took it, then I won't be in trouble for theft, which is good, but I'll still get fired because we really aren't supposed to let anyone else in and I think that even a toddler counts and besides, I clearly wasn't watching you close enough, not that that matters and--" "Kitty!" proclaimed Che, lifting up the rock that he'd taken from the Very Special Museum of Specialness. "No, honey, it's not a kitty. It's a fossil, which is a kind of rock, and--" The rock unfolded in Che's hand and mrrped up at her. "Oh, no!"


Inspiration: Cassius bringing me everything in the house.
Story potential: High.
Notes: Cute. I may be highly biased because of my own toddler, though, but this could be the start of something awesome. And not just cutesy, either. Needs some darkness/texture added to it, this isn't a kid's story. Or, well, it could be a kid's story from Che's POV, but Mira's going to be dealing with a lot more. In fact, could be fun to write it both ways.
Dinner was steamed wheat noodles with mole, mung bean, ogbono nut and chipmunk. He stared at it grimly. The mole would add some flavor, the nuts and mung beans were critical. After all mung beans were one of the best sprouts that they could manage even in the caves, without worrying that their harvest would be ruined by a ravager. The chipmunk...was hardest to swallow. Metaphorically and literally. He'd always thought they were cute little things, fun to watch out of his window, and a childhood spent watching Disney films meant that he was thoroughly inculcated with how irresistibly adorable and always on the side of good they were. You never saw a Wicked Witch and her flying chipmunks, or an evil stepmother with a chipmunk perched happily on her shoulder grinning at you. And literally, there was so little meat on the thing and its bones were so tiny and sharp, it was almost not worth the trouble. That could be said about their whole life, though, and had been said by some. He wouldn't say that, because the thing that made it all worthwhile crouched in front of him, holding the little chipmunk leg with her fingers and sucking the marrow from the bones with loud smacking noises. She saw him looking and beamed at him. "Want some, Dada?"


Inspiration: Chaotic Shiny's meal generator. Yup. They added the chipmunk, not me.
Story potential: Low.
Notes: Eh.
Discovering that the baby you never planned to have, almost decided not to keep, but in the end kept and went back to a village not too near but not too far from where you came from, and claimed yourself a widow of the war--discovering that baby can spit fire is no small thing. Nobody asked what side your husband was on, of course, because dragons were monsters invading from across the oceans, sailing on giant rafts of monstrous trees lashed together, or landing on small islands and overnighting before sailing in to the port. You don't remember when the war started. Most people don't, now. Your father was a young man when the dragons invaded. Or first flew to our shores. You've heard a few older people muttering that the dragons weren't the ones who started the war, and we could have avoided all this if only--


Inspiration: "Spitfire" - Prodigy
Story potential: High.
Notes: Not sure if there's enough unique here to power a story, but maybe. The child is not a child of rape, but a consequence of a one-night stand after she was saved from some wartime danger by a dashing soldier. The dragons started invading because something worse across the sea was invading them. And it's coming next. The dragons are now in hiding and almost impossible to find, but she's by god going to have to go on a quest for them so that her child can be taught safely. Maybe re-read Mary Brown before writing this, either for inspiration or to avoid duplication.
We feared brain parasites in lake-water, but nothing really in sea water. We laughed at the tourists who wouldn't go in the water for fear of shark attacks, which were so rare as to be less risky than driving to the beach. We didn't think much of the jellyfish that washed up on the beach, simply tried to avoid stepping on them. When the glowing jellyfish began to gather in the shallows, we all went out with cameras. It was reported on the news and everything. I stepped on one as we left and felt a single sharp jab. I thought nothing of it until my foot began to glow in one spot.


Inspiration: This is what happens when you google "Ellen Datlow likes" (because of Fearful Symmetries anthology) and look at the pictures.
Story potential: Medium
Notes: Parasitic jellyfish living inside the human as they get larger. When they're mature enough, she will cough/vomit them up into the saltwater tank (eventually, after just killing the first few), and is a struggling model whose career takes off when this starts. Conflicty! Should maybe be male instead of female, to make story more transgressive? Possibly gay, to add difficulty adopting? Also note, the tone of this is all wrong for the story.
The happiest cry of the dolphinate calves sounded like a crying human child. It confused her wiring so much that she found herself running to the dolphinates when there was no need and then ignoring her own grandson when he started crying while he was playing. She had to train herself to learn each individual calf's voice, so that she could separate that cry from the cries of human children. It took a month. It was a very confused month, for her. She was grateful when her daughter went on a long vacation with the grandkids, out to one of the rare landlocked cities. By the time they came back, she had mostly overcome the tendency. But it meant that she recognized the happy cry of a calf when it went by her window in the middle of the night, at a time when the calves should all be safe and curled up in their caves in the bay nursery.


Inspiration: Screaming baby. Which is why I must go.
Story potential: Medium.
Notes: Eh.
MOTHER did the best it could, but you can't expect a redirected killing machine to be perfect at raising children, especially since there was only a rough prototype for the program. They loaded her with the prototype, they tossed in all the (often contradictory) child-rearing texts they could find, and they hoped for the best. It was the best option they had. MOTHER had all her drones to help with the physical duties, after all. Uninjured adult humans were scarce, and there were only so many foster parents available. At a certain point, having forty children tended by one adult caregiver is even worse than automating the process. And so they put humanity's future into the cold robotic arms of the thing that had nearly driven us to extinction. Oh, not the intelligence. They analyzed MOTHER as best they could, and they decided that yes, she was just one of the generals, and at that, she was one that had always seen priorities of war over the need to kill humans. She did try. She would never give in until her objective was reached, and her objective was to restore humanity. She did pick up a kind of screwy definition of humanity, some people have argued, trying to produce the best examples of humanity. She wrapped her cold metal limbs in sheepskins and dedicated one of her drones to constantly filling hot water bottles to slip underneath, so that she could give us the illusion of warmth and softness. I know it worked for the youngest babies.


Inspiration: "Mutter" - Rammstein
Story Potential: High.
Notes: Insanely high casualties, post-traumatic shock, tons of orphans--yeah, this could work.
Amelia Earhart is well and truly dead, but her legacy lives on in us. Not that she would have known or even understood it, but I often thought that if she was possibly able to grasp it, she would have been one of the first to embrace us. She always did reach out for the boundaries and stretch herself beyond her limits. Fear was not an obstacle to her. For all I know, she would have embraced the realization that she was the mother to a new race. Of course, instead our "father" abducted her in the middle of a flight over the ocean, killed her, dissected her, brought her back to life to run various brain tests on her, killed her again, and disassembled her down to the molecular level so that he could create us. It's what scientists call a "destructive test." I won't say there's no coming back from it, but I will say that there's no coming back from it sane. Sometimes I wonder if our father's earliest attempts were what started the zombie legends. Not sure if it was because he tried to return the abductees (likely those who were buried still alive enough for his purposes), or because he imprinted the insane brain patterns on his first children. I know there were other children before us, but--


Inspiration: When I hit "I feel lucky" on a blank google box, I got this: https://www.google.com/doodles/amelia-earharts-115th-birthday
Story Potential: High.
Notes: I like the twist of "yes, she was abducted, and no, she's not alive."
Piles of innocence, rearranged. The caption made him shudder before he even saw the photograph, though he wasn't quite sure why. Fear of serial killers? Fear of modern art? He rather thought that the latter was more terrifying to him on a personal level. And so--braced for dead babies or artistically arranged rubbish--it took him a while to understand what he was looking at in the photograph. First reaction: relief that there was no blood, no body parts, no death. Second reaction: confusion. Maybe it was art, but if so, it spoke to him in a way that modern art didn't usually. There were a few things that he remembered from his own childhood: a magnifying glass (perfect for frying ants with!), a pair of his mother's underwear (and how had they gotten those). Some things he didn't remember at all. Some things he vaguely remembered seeing one of the other kids playing with. But it was *his* childhood there, *his*!


Inspiration: Misreading and grouping together a couple of subject lines in my email inbox.
Story Potential: High.
Notes: I think this could be a very good story, rather Bradburian, but I don't think it's so much my type of story. And it would be a lot of work to get it shaped right. There is also the grimdark in here, since innocent children are monsters, but there is shiny in the grimdark.
Art: poetic watercolour:   dreams... never end...

The sorrow of the trees, that was what she felt when she was just a sapling. Her mother walked away from them, out to find her father who had never returned to them after that one moonlit night when she was conceived, but her mother had lost her heart, as was the way of their people. And when a tree loses its heart, it must regain it again or the tree will fall. She remembered some sunny mornings of being a toddler playing in the sunlight with her mother, before her mother left. But once she was old enough to have her own nutrients and not to need her mother's branches to protect her from the harshest winds and the drought, her mother left to find her heart. The daughter left behind stayed a sapling for a very long time, as if she hoped her mother would come back and awaken her if she only waited long enough. It took a forest fire to rouse her into the form with legs, and she stumbled and staggered alongside the graceful deer and the other animals--


Inspiration: The painting from Flickr. http://www.flickr.com/photos/35475855@N05/6789097553/
Story Potential: Medium.
Notes: It is important that this is *not* an ecological fable. Because otherwise? Too trite, too easily done. Instead, dryad goes to the city and finds...a different thing.
The ghost puppet show made her gurgle with laughter. Ghosts might not be the best playmates a girl could have, but for shadow bedtime stories, they were the best ever! She watched with wide eyes as a shadowy rider ran up a hill to a mansion with flickering windows--and she clapped her hands. Here! she said. "That's home!" The rider nodded his head, as if in acknowledgment, and knocked on the door. A faint, ghostly rattle of chains mimicked the sound of the door swinging open. Ghastly long arms reached out and pulled the rider into the castle. "And that's Great-Grandpa Edmund!" she exclaimed. Great-Grandpa Edmund was locked up in the basement now--

Inspiration: Ghost story puppet show benefits kids' charity: http://www.boingboing.net/2010/11/19/gothic-horror-puppet.html
Story Potential: Medium.
Notes: Moderately entertaining, nothing spectacular.
The chime into the gene pool was what worried her. A sound--a sound, an idea, a meme could carry beyond mitochondria, beyond simple gene spread. And now, when the gene pool was producing, was when it was most vulnerable. There had been--something--encoded in that simple chime, the simple sound that should never, ever have been able to reach so deep into the womb of civilization. She had recorded and designed the tapes herself. They had *not* included that chime. In fact, when she pulled the tapes for study, they still did not. Not in the system, that sound. And all the (very expensive) security had not detected an intruder. And all the (very extensive) video and vital signs recording hadn't noticed--


Inspiration: "The Gene Pool" by Stewart Copeland
Story Potential: High.
Notes: I love this idea, though I'm not sure how it would fit and be relevant in the story, or--but oh, I like this idea.
The twist came when she thought she was about ready o give up. The sweet at the end of the race (or the threat, depending on if you were a news camera or someone running the damned race--and she meant damned in the most literal sense). Her little daughter, waving proudly to Mommy from the finish line. And god! but she hated them for taking her out, where she would see what happened when Mommy didn't win. There were a row of children at the finish line. She heard the woman behind her give a grunt of pain at the sight. And what would those children grow up with, seeing their mothers die in front of them? She knew they wouldn't shield the children's eyes: tears made such good television.

Inspiration: Um...a Halloween background and a running shoe ad.
Story Potential: Medium.
Notes: Eh. Nothing new here.
She nursed her own child as long as she could, but it didn't take very long before the child was full and sleepy and her master noticed. Then he sent for his dogs. She did not want to watch as they suckled at her breasts, but eventually, she did, if only to wince and brace herself for a nip from their teeth if she moved wrong, or to push them away if they started getting rowdy--her master allowed her that much, at least. In time, she could not help herself from noticing the differences in the faerie hounds, their silky ears, and the way their eyes turned to her, sometimes, when the master scolded them, as if they asked her for help. She began to not fear their feeding time so much. She would whisper in their ears, stories of what might happen once her child was weaned.

Inspiration: News of the Weird: In Uganda, "for seven years had been forced to breastfeed her husband's hunting dogs as she was nursing the couple's own children. Farmer Nathan Awoloi of Pallisa explained that his dogs needed to eat, and since he was forced to send Jennipher's family two milk cows in order to win her hand, he felt his demands were reasonable. "
Story Potential: High
Notes: Well, it's creepy enough that it could work pretty well with a dark fairy tale.
It wanted up, and it wasn't going to go away. She closed her eyes against the horrible sight of the burned, charred child, and opened her arms. It was--lighter than a real child that size ought to be. And crackly. The smell was like barbecue, and when she felt herself salivate she gagged. "Mommy?" the child said. "Mommy, do you love me?" "Yes," she said brokenly. "Yes, I love you very much." "Then look at me." She forced her eyes open and looked at the creature in them, the one that looked like the body of her baby when she was carried out of the burning house. "I forgive you, Mommy. It was an accident."

Inspiration: The cat was being persistent about wanting up.
Story Potential: Medium.
Notes: This is some sort of therapy program in the future. So maybe it goes wrong. Or maybe it goes right. This is kinda just a set-up, not the actual story.
The baby birds popped their heads out of the olympo tree to watch the parade of beasts go by, sad that they were too young to join in. Their mama and papa both joined the winding parade as it trumpeted and sang and stomped its way through the forest. They never came back. After it was dark again and they should be sleeping, the baby birds could not, because they were so hungry they felt that if they slept, they might die. And they would have. They chirped and peeped and complained even though it was the quiet time, when they should be sleeping. But they were hungry and did not want to die. Eventually a shadow came along and stopped in front of the olympo tree. "Oh," the voice said.

Inspiration: Seeing something poke its head out of the bole in the neighbor-across-the-alley's tree.
Story Potential: High? Medium?
Notes: Writing from this perspective's weird, but maybe the way this should be written? And who or what piped away all the animals? To what fate? Is this an environmentalism parable? I just don't know.
The drugs she took at a regular interval throughout the pregnancy, checking the dosages and the timings. There was a slight risk the baby would be born with a tail because of the Triorazan in the 19th week, but it was worth it for the even temperament that had been shown to predict. She was very open in all the drug diagramming she was doing with her doctor--except the street esper that she took in secret, in the bathroom, when nobody was looking. She'd gone to the esper communities and talked with them and figured out that yes, it did have an off switch, or at least a dimmer--and yes, many espers did better than these unfortunates. She even managed to talk to an esper doctor who was able to--

Inspiration: Looking up what painkillers were safe during pregnancy, and seeing studies about effects on the fetus, and wondering if there were ever "good" changes found in the studies.
Story Potential: Medium.
Notes: This is more setting than story. But I like the setting. Kind of like those horrid women who smoke while pregnant to get a lower birth-weight, but positive.

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penthius

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