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The no-parking signs no longer stood sentinel against cars. With the incoming tide and the rising of the water level up to a good three feet in the former parking lot, they had become anchor points for people to tie their canoes up against. It was one of the benefits of living in a former city, everybody agreed--the sheer prevalence of signs for parking and driving and light poles and all the infrastructure that used to be used when the city still remained above the water and everyone drove cars as a matter of habit, without thinking much about it. The overpasses remained dry spots, good for anchoring below and walking up to trade goods, or for those things that needed to be done on dry land, or could be done best there. The houses had mostly crumbled as their foundations rotted away, but some of the brick houses still stood, as did the stone, and in a few cases, their upper floors were even livable and safe. Careful inspections were needed, of course, but the best hotels were in former libraries--and usually the books still were, too, those that the custodians had not decided to be worth moving to the drylands as the waters encroached upon their city.


Inspiration: Photo of a flooded car park: http://www.flickr.com/photos/terry-and-nikon/12328347314/
Story potential: Medium.
Notes: Setting. Also, I accidentally typed "fantasy" here, which is an interesting idea. Take a sci-fi trope and write it as fantasy.


The waves were choppy that morning as she pushed the boat off from the pier and settled down to row to the altar center, or what they thought was the altar center. Eventually, the buoy from the last successful sacrifice always disintegrated or floated away or fell apart, but that was part of the way it worked. Nobody would put extra buoys out unless they'd had a separate sacrifice, as if the altar might move around and they might end up sacrificing to nothing. She had a major request, this day, and so she'd gone to the trouble of buying a whole calf to take out on the waters. That was the rules. No fish, because there were fish enough, but something from the air if you had to or the land at best. She'd once heard tell of a thing called a camel, that lived only far out in the desert, and she figured that would be the best sacrifice of all--certainly nobody else would have offered up such a thing--but one had never come near her.


Inspiration: Picture of water, mountains, and clouds: http://www.flickr.com/photos/o_d_r_a_d_e_k/12175351336/
Story potential: Low.
Notes: Pretty picture, though!
When the bay turned crystal-clear and inviting, and the sun shone bright, and the colors of all the buildings along the shore-front seemed to dance with color and brilliance, that was the time when all the old fishermen would suck their teeth and refuse to go out to fish. It was also the time when the tourists exited their hotels in droves and wandered through the city streets exclaiming over this and that and the other quaint shop or hidden alley or rustic street. The fishermen watched them go, and sucked their teeth, and refused to leave the stoop of their houses. The fishermen's old wives (who were of course about as old as the fishermen, or older in some case, the marital career of a fishermen's wife being what it might be) accused the fishermen of being lazy old men who just wanted to watch the young tourist girls in their short shorts and immodest skirts and long bronzed legs. The old men sucked their teeth at this, too, but if one of their wives started mentioning trips to market or errands, on those days, those days the old men mustered up some semblance of their youth and flirted their wives back into flustered indoor cleaning. When the bay turned crystal-clear and inviting, the police chief of the small town (who was young, and besides, did not have the luxury of sucking his teeth in his doorway) grimly called in all his deputies and prepared to send out search parties for the ones who did not return. There were always ones who did not return. He posted many, many signs warning that swimming in the bay was not allowed, but people could not resist dangling their feet. The children, at least, had their mothers to keep them away--their mothers who listened to old wives' tales, or in this case, old fishermen's tales--


Inspiration: http://www.flickr.com/photos/unicorn81/9412195349/
Story potential: Medium
Notes: Eh. Mostly setting. Nice to see it somewhere a little different.
Gigant

The sea woke them. That's the best idea we've been able to figure out, in the hasty months since we fled our coastal villages and retreated farther away. The trick was retreating upland and away from the sea while at the same time staying away from the kind of stone formation that was linked with the earliest outbreaks. All I can say is: thank God for overzealous paleontologists clearing some coasts of anything that looked like it might be a fossil, from the smallest shells to the eggs to what looked like broken eggshells found alongside them. I suppose I needn't add that natural history museums all over the world, even those in what we think are safe zones, closed in an awful hurry with military guards keeping safe zones outside of them until a specialist could get flown in to examine the collection and mark potentials for removal and study. I’m not an expert, thank goodness, I just work for one. My particular charge is subject to all the stereotypical absent-minded professor traits that you've ever seen in a movie: her hair looks like something nested in it, she tends to forget that her glasses are on top of her head until she needs them, and left to her own devices when she's wrapped up in something that interests her she would neither eat nor sleep. Me? I'm the bodyguard, the "termination specialist"--I guess I am something of a specialist after all--assigned to her just in case. She knows what she's doing. I'm the muscle to keep her alive long enough to get some useful data out of it.


Inspiration: http://www.flickr.com/photos/lastef/9260844125/
Story potential: High.
Notes: And both of them are female and not romantically interested in each other. This story would pass the Bechdel test, damn it! This story bit here isn't enough, of course, but it's really the relationship between these two that makes me interested in it.
She sank down into the blue-green waters and thought, "This is worth it. Being able to live here, being able to do this whenever I want, it is worth all the inconvenience and the trouble and the stress of the job." She hadn't swum this particular coral reef before, but it was far off from the major visiting areas and so she had some hope that it would hold some of the more shy and hard-to-observe species. After all, she told herself, there was nothing wrong with having a hobby, and hers was stilling underwater species in their natural environment. She'd managed to sell a few of her stills off-world for a sum large enough to buy out one year from her contract. Still twenty-six years left, but that wasn't so bad. Lots of people did worse. She was careful never to buy from the company store any of the luxuries that could have easily added even more time to her sentence--contract, she correct herself. She would probably have to bite the bullet, so to speak, in about twenty years when it was rejuv or head for the threshold beyond which you were nonrenewable. She didn't like the idea, but it didn't come standard as part of the contract, and it wasn't the sort of thing that--


Inspiration: Google "carved box skin" -> image of two angel skin coral carved Asian women.
Story potential: Medium
Notes: Could be a story, doesn't demand to be. Oh, and I'm pretty sure she finds carvings underwater, grown over or whatever.
When you surf the waves at Remotown, you carry a speargun, and you're part daredevil, part hero. The hero part comes with the chance that you'll be attacked by a voidfish and kill it. The damn things have destroyed all our attempts to set up a protected nursery for smaller, gentler fish. They'll even flop across the land for up to a quarter-mile, just to get to a protected nursery. So far they haven't left the water to go after us mammals, but most people make sure that their house is at least a mile away from the shore, just in case they change their mind and smell the fish we had for dinner or something. Because yes, there are still fish. River fish and lake fish, we can set up protected nurseries inland without a problem, though there are just as many sharp-toothed nasties in the bodies of water that aren't salt.


Inspiration: http://www.flickr.com/photos/juanrfabeiro/9079492120/in/explore-2013-06-18
Story potential: Low.
Notes: Mostly just a bit of setting.
We feared brain parasites in lake-water, but nothing really in sea water. We laughed at the tourists who wouldn't go in the water for fear of shark attacks, which were so rare as to be less risky than driving to the beach. We didn't think much of the jellyfish that washed up on the beach, simply tried to avoid stepping on them. When the glowing jellyfish began to gather in the shallows, we all went out with cameras. It was reported on the news and everything. I stepped on one as we left and felt a single sharp jab. I thought nothing of it until my foot began to glow in one spot.


Inspiration: This is what happens when you google "Ellen Datlow likes" (because of Fearful Symmetries anthology) and look at the pictures.
Story potential: Medium
Notes: Parasitic jellyfish living inside the human as they get larger. When they're mature enough, she will cough/vomit them up into the saltwater tank (eventually, after just killing the first few), and is a struggling model whose career takes off when this starts. Conflicty! Should maybe be male instead of female, to make story more transgressive? Possibly gay, to add difficulty adopting? Also note, the tone of this is all wrong for the story.


"The ways and habits of the undersea fish are of great interest to me," said the man in the bowler hat. "I assure you, I have written several monographs on the subject, and I feel that my presence would be of benefit to your expedition to the seas of Europa."

I paused, trying to think of the right way to put my rejection. His suit was of good quality, as was his hat, and the eye that I could see enlarged through his monocle seemed very serious. He was not the first rich hobbyist who had approached us, but he was perhaps the first who did not pretend to skills that he did not have. A monograph, after all, was not a highly demanding task.

"I should also mention," the bowler-hatted gentleman said coolly, "that I am a 40 percent shareholder in Flying Fish Ships, Ltd. I say this because I fully understand that all members of the expedition must be able to contribute in ways more practical than simply drawing a few sketches and writing a good line of description."

Since he'd taken the words right out of my mouth, I floundered.

"I believe," he said, "that money and equipment is a very practical contribution indeed."


Inspiration: "Another Fish Story" by Daniel Merriam, from my Art of Dreams calendar.
Story potential: Confusing.
Notes: I don't think this plot is inherently compelling, but it is rare that the voice of a story leaps so readily to my fingers. So to speak.
Maunsell Towers, The Thames

They'd been floating for three days when they saw the towers in the distance, and at first they thought it was salvation. Now and then, they'd sailed between islands and found one of these old structures left form before the great floods, or from during the forming, when Men tried to control how the world was shaping itself. Sometimes there were great stores of food inside, or technology that might still work if it had been sealed against the seawater and if it could accept the transformed power and if it wasn't dependent on the old world-net that had long since died and fragmented into a hundred tiny island nets, only a few of which were still connected by satellites. Every month or two, another satellite would plummet to land in the sea and then there would be old people shaking their heads and new islanders shrugging. The nets were designed for the break apart, these days, and one of their cargoes was data between islands, designed to plug in and update.


Inspiration: The photo above.
Story Potential: High.
Notes: I just like the setting and the idea of all these little islands. So this isn't really a story idea as such.
The boats came from all over the world to visit the last great land-city. Parents took their children, either because they thought it was important for the children to understand what had been lost, or because they thought it was like Disneyworld, a novel experience that every child should enjoy while they were still young enough. Walking on land, the strange vertiginousness of it, fascinated little kids. Even parents were brought back to their youth as they took the first few steps. Children gaped at the people who lived on the land-city year-round. Some poor souls paid exorbitantly because they had inner-ear imbalances that made normal life impossible, or because they were old and their bones were too fragile for heaving ship-decks. Some lived there so that they could work in the City That Never Moved. Those were all young, and brilliant, and beautiful, and amazingly talented. So it became a city of those who worked for the tourist trade or the very rich, and those who *were* the very rich, and infirm. As you might expect, certain relationships developed....


Inspiration: http://www.flickr.com/photos/masahk2009/7141678081/
Story Potential: High.
Notes: Love the idea of this as a setting. Maybe not on Earth, though. And Disneyland totally still exists.
I was a broken man on a Halifax pier, the last of the ship Nasty Nancy, and nobody would hire me again. Either they thought I was a jinx, or they thought I was mad (I'd been foolish enough to tell my story true when I returned), or they thought I was a murdering cannibal, because what other explanation could there be for me being the only one to return aboard a deserted, drifting ship with blood staining the deck? I'd been in jail and interrogated for almost a year until they finally realized that nothing would stick, since they hadn't found me picking my teeth with the captain's shinbone. After I told the truth (mostly), and realized finally that I wouldn't be believed--which I only realized once I'd been allowed to shower and sleep and eat and drink enough water to--well, I don't like phrases like that anymore.


Inspiration: "Barrett's Privateers" - Stan Rogers
Story Potential: High.
Notes: This isn't a story, itself, but it could become a rip-roaring yarn!
"I need to be in space," she said firmly to the recruiting officer, but what she was thinking of was the deep blue depths of the oceans--as they had been when she was a little one, before the lit-up cities and the domes and the tourist bubbles that went out to see even the few "preserved in a natural state" parks (and how could you preserve something without borders, that flowed from one place to the next, in a natural state?). She remembered the deep cool velvety dark, and the glimmers of phosphorescent fish, the wonder of seeing a thing that nobody else had ever seen, the creaking and groaning and moaning and booming of the vessel and of the echoes and rhythms of the ocean around them.


Inspiration: I needed to be writing.
Story Potential: Medium.
Notes: Had a baby in August. Haven't done freewriting since mid-July. 'Nuff said.
The ship sailed in out of the fog, and the sailors on the port gaped at it. Never had they seen a craft so tall and strong, as tall as two city buildings stacked on top of each other, a weird green iridescence flowing over it's surface. They'd been going about their business all steady and normal-like, but at the sight, a serious breakdown in order occurred. Some ran for their cameras, to get pictures to National Enquirer or videos to YouTube. Some ran for th control room. Some ran for the weapons locker. The latter were not entirely incorrect in their aim, as it turned out, but they had no idea that the AK-47s and stun-guns stored there would do nothing--


Inspiration: "ship"
Story Potential: High--if I figure out the rest of it.
Notes: There have been a number of "ship from the past emerges from the mist/bermuda triangle" stories, and a certain number of "ship from the present ends up in the past," but not so many "ship from the future ends up in the present" ones.
Not being able to eat fish, she didn't mind so much, though she totally understood why the orbiting station had not one, not two, but 18 seafood restaurants (all very careful to explain that the fish was imported from worlds without sentient sea life). She did miss drinking alcohol, though, quite a bit. The explanation for why not was clear: it tainted the water they swam in, as if they'd doused themselves in a vat of vile perfume beforehand. Sure, she could drink and wait a week to go under, but that time period was pretty much only allowed on vacation. She knew some other underflyers did drink, bootleg whiskey tucked into their bunks at night, but she believed that it worsened their catch.

Inspiration: Discussing things I am and am not allowed to do.
Story Potential: Medium.
Notes: Interesting world-building, no actual story.
The manta ray soared above him, and it was only when it kept going that he figured something was wrong. He began the long surfacing process. When his head broke above the sea, he stared. The fish, the manta rays, the coral reefs, all were inverted and swimming through the air with no apparent distress. He thought he must be hallucinating, or turned around underwater and confused enough to believe he'd exited the water. Very carefully, he reoriented himself and looked around. Empty water. Seaweed drifted past him, heading for the surface. Definitely underwater. Definitely alone. He switched his orientation and stared up.

Inspiration: This picture of a sting ray at sciencenews.org: http://www.sciencenews.org/view/download/id/45316/title/jar_stingray.jpg
Story Potential: Low.
Notes: And it's all so polluted now in the ocean that humans will be forced to live there instead. Er. Boring.
The iridescent seaweed glowed beneath them, surging back and forth on the tides. The crowds of people who'd come to see the strange phenomenon looked like a trail of ants converging on a bowl of sugar from the helicopter high above. She leaned forward and aimed her video camera down, catching the expressions of awe and wonder, or confusion, or boredom. She zoomed in on that face. Boredom? Who would be bored and still go down to the beach to see the strange seaweed that was washing ashore, glowing and sparkling for reasons no scientist had yet been able to explain? It wasn't a teenager who had stumbled across it and now wished to leave, either. The man with the bored expression on his face looked--

Inspiration: "iridescent seaweed" - a fantastically awesome phrase to randomly find in the dictionary.
Story Potential: High.
Notes: What is it with my stories and "phenomena scientists can't explain"?

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penthius

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