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The #impact of the sword in her gut was so slight that she didn't even feel the pain for a moment, just a sharp, searing heat. Steam hissed as her flesh quenched the blade.
"Ah, yes, this is a good one," the smith said, smiling.
"Will she live?"
"Maybe. Who cares?"

Inspiration: impact
Potential: high
Notes: She does live, maybe because the person who asked cared enough to try and save her. And she does have a weird magical link to this evil (well, it's forged that way, at least) sword, which would complicate some things.
"Here's the thing." He squirmed. "You gotta be #flexible about the terms of delivery."

"We need agricultural equipment, delivered and functional in this colony's environment, before the first rain. It's very simple."

"You haven't met the Kblv."

"But it'll work?"

"Somehow."

Inspiration: flexible
Potential: High.
Notes: This could be a really weird/charming or SF horror set-up. The aliens do meet their trade obligations, but in very weird ways that can go all kinds of unexpected directions. But it will at least serve as agricultural equipment. I dunno. Seems like a fun set-up.
Every #harvest was hard work for the farmer. When the harvest was bountiful, she worked in the field every day. When the harvest was small, she trolled the highways for field fertilizer, looking for hitchhikers and vagrants and stalled cars.

Inspiration: harvest vss365
Potential: high
Notes: This is basically a complete microfiction. Could be amped up, rewritten a little, more show less tell. And seasonal!
We have the saying, "Naked as a werewolf," for two reasons. One, people don't always have a choice in why they're #naked, so be kind to them. Two, you never know how dangerous a naked person is, so try not to get killed. #vss365 #prompt

Inspiration: #naked
Story potential: High.
Notes: Mostly I really like the voice of this one. I'm thinking this is a law enforcement person, or some kind of social worker.
Right here, right now, is all we got. I tell myself that because I hate the part that comes next. The flying, mostly. The being shot at is bad, too, but if they don't hit you you don't even notice it. If they do hit you, you're dead. The explosions take some getting used to, and I'm pretty sure I have some kind of PTSD, but I can still shove it down and ignore it. For now. No, it's really the flying. I must be the only superhero who, when they found out that they had an ace power, broke down and wept with terror. I hate heights, you see. It's why I learned how to backfly. People think I'm showing off, but it's really that I can't stand to look down. If I'm looking at the clouds, I can pretend I'm floating on the ocean.

Inspiration: An anthology call for superhero stories, looked up the art and it was all flying folks.
Story potential: High.
Notes: Eh. Could be interesting to have a whole team of conflicted superheroes who support each other and understand and etc., but one on it's own not as much. Actually, waitaminit, that makes it high potential. Yeah. I like it.
The train was late, of course. It was only a few minutes, but he felt like he stood out in the crowd. Anyone looking at him would surely and immediately say, "He doesn't belong here." The longer he waited for the train, the more likely it was that someone would spot him. He was taller than most, his coloring was more fair, and his clothes were too new. He was too clean. He'd been warned about these things, but with the mission done and everything arranged, he had thought he would be fine to finally wash properly and wear something that made him feel less depressed and drab than the dark-clothed, shorter, bustling people around him. It was foolish. Everywhere on the train platform, there were signs advertising, "Watch out for time hijackers! If you see someone who does not fit, let a rail guard know!"


Inspiration: Searched "problem" on art station, found picture of man on train platform. https://www.artstation.com/artwork/DaNke
Story potential: High.
Notes: I like the idea of a society being aware and resistant to time travelers working among them, like there is actually a war between the present and at least one of the futures.
The desert wind whipped ice fragments and sand at him. His face shield and armor protected his body, but the sword he carried was not designed for this planet. He spared a moment to worry about the grit abrading the blade if he needed to draw it. He had not planned on being armed. He had not planned on encountering anybody who he might need to use a weapon against. He had not planned on finding a sword, or a colony in need.

He had planned on walking into exile on the worst world he could find, with enough survival tools that it would be written off as a failure and not as the hara-kiri that it was. In these days of lifetime family contracts, and insurance obligations, he could not simply take his sword and cut his stomach open after failure, but the obligation to kill himself because of his great, deep failure remained. The question had only been, how could he kill himself without killing himself? He had thought this was the answer.


Inspiration: Samurai sketch on ArtStation
Story potential: High
Notes: Classic plot structure, SF setting, could be fun.
"Sir, where should we put the bodies?" the soldier asked. He was young enough that the fringes of his gills were greenish from nausea after the slaughter.

She sighed. Always the way. They were ordered here to murder a populace of creatures, sentient creatures in their own way even if they failed to pass some of the most critical tests to ensure Sentient Protection. The recruits were filled with stories of glory and battles for the good of the sentient alliance and told they were doing the right thing, the good thing, the thing that would allow more of their children to spawn. It was even true. They just weren't told that it would feel like murder.

She looked around the campsite. River, no, didn't want to contaminate it. Hard ground, no good for digging. Very little fuel to burn the bodies, and it would waste precious time for her soldiers to dig. She pointed. "Throw the bodies around the tree."

The clinging to their belief in tree gods that would walk among them and save them was one of the things that showed they weren't real sentients.


Inspiration: https://www.hcn.org/articles/scientific-research-tossing-salmon-for-science
Story potential: High
Notes: The bodies (maybe usually in graveyards) accelerate the growth of the "tree gods" from the trees that the "foolish natives" worshiped. Ooooooo .... spawning pools, have it lead to her coming to terms with some of her spawn dying, eating each other, but also deliberately feeding one--the kinder, more charitable one--against custom, to help it to grow. "There are worse deaths than those that bring something better into the world," she whispered to it. (Okay, that twist/character arc makes this story strong.)
It was that moment when elections were suspended that she knew things were really real, that the aliens were real, that the news reports--most of them--were real, and that they were all in danger. It was also the moment when she realized that she lived in precisely the wrong place to survive what was coming if it was all real. Texas was not the place to be. The aliens had only shown up in the really hot areas, everyone agreed on that. They were in the Republic of Chad, in the Sudan ... in Texas. She had to get out and now. The old couple next door had an RV. She'd chatted with them before, about their plans. They said they were done with traveling for the year, now that it was starting to get cold in the upper states. That cold would save her family, she thought. It would. It had to. She didn't

Inspiration: Reading a post by whatsername, writer with the purple fade, about the fear of suspending elections and what needs to go on.
Story potential: High, but tricky.
Notes: First, the main character HAS to be republican. Second, she's semi-privileged because she'll get the RV and go up North. But with elections suspended, the government itself becomes a major obstacle and ... yeah. Analogy but not analogy.
Two souls, lost kids, pretending they were renegades riding the trains with the soldiers traveling from their homes to volunteer with the opposite side. Sometimes they glimpsed trains going back home, with soldiers traveling from over there to fight on their side. It was fine, mostly. The soldiers laughed and called the kids brave ones and shared their tinned fish or the fresh-baked bread from home that wouldn't last, anyway, so why shouldn't they all share it together. It felt like a party, a little, like a celebration even though they'd all read the newspaper reports of the deaths and they'd seen the photographs of piles of corpses. It was a war worth fighting, after all, for the most basic of reasons, and none of these soldiers would die, not one, they would all come back covered in glory. The program promised that.


Inspiration: "Renegades" song
Story potential: High potential
Notes: I ... really like the idea that this is the build-up to some kind of cyborg volunteer program, and the kids get swept in too. (Young teenagers, boy and girl, brother and sister? No love interest.)
I took a deep breath and gasped myself back to life, as I felt my sister sigh and pass away beside me. Sometimes we found each other lingering together long enough to touch hands and smile. Not this year. This year, I roared to life and I felt the strength of it, the hunger of it, in a way I hadn't for years. I felt like I could go to all the BBQs and eat six steaks and all the potato salad and maybe take one of the little kids running free as a desert. It would be that kind of summer. I'd sing with the jets rushing overhead and spread my arms wide with the snap of an American flag in the wind, and I'd visit hundreds of elderly people in their tiny hot apartments after the power blew out, because it was going to be that kind of summer. My kind of summer. I would come out of this one glutted on pinwheels and parades and BBQs and death. I could tell.


Inspiration: La Mort du Printemps: https://www.deviantart.com/art/La-Mort-du-Printemps-738504334
Story potential: High.
Notes: I like the idea of the seasons as vampiric sisters, who pretty much destroy all the things. This isn't a plot, though.
They were the first of their model number to be self-repairing, something that they saw at first with pride and later with great relief as more and more of their batch-mates succumbed either to metal fatigue or processor overload or--if they managed to have a good contract--they signed away their lifetime for the length of time it took for the new part to expire, by which time they needed a new part anyway. They had nowhere to get it except through the licensed store, and that was an expense that only warm-bodied owners could afford. They had no owner, and they liked it that way. They got junk parts when they hadn't worked in a while. Once or twice they'd even scavenged old processor parts from

Inspiration: deviantart.com picture, "Broken," of android bending over a clearly dead woman on the street.
Potential: High.
Notes: A woman has done some kindnesses for them, so they rescue her and use parts to fix her up. Not a romance. Think of Frankenstein, medical costs, indentured nature, corporations "owning" people, maybe becoming an android is in some way better for her. Metal mask, passes/does not pass as human? Thoughts.

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penthius

January 2025

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