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The creepy old house on top of the creepy old hill, past the creepy fence, in the creepy small town where she felt like all the residents stared at every move she made--that creepy old house was hers. Worse, the only real use for the house was living in it, and she wasn't in a position where she could turn down a windfall like that. Working from home meant that there was no real justification for maintaining the expense of an apartment in the city when she could just as easily telecommute and get a hotel room once a month to do the in-person meetings, all for vastly less money than keeping an apartment that she could tolerate living in. The old house did have enough space to keep from triggering her claustrophobia, at least, she would give int that. It was almost as if it had expected the residents to suffer as she did. The creepiest thing she could find in the creepy old house was a photograph in a gold frame, wrapped around and around with hair. She hesitated to cut the hair off, but she pried it apart enough to glimpse the photo beyond.


Inspiration: Oh, a strand of hair that wound up on top of the photo of Phil that sits on my desk.
Story potential: Medium?
Notes: Because weird? I have no idea what to expect from this, which is good, I guess.
刺身

The sashimi sold at the shared restaurant was delicious, as one would expect with a cook who'd sold his soul to the devil to gain his skill, and who, from all accounts, felt it was a worthwhile bargain. She'd heard that the devil agreed, and was pondering ways to escape the bargain so that the cook could continue to perform his art and perhaps expand franchises into more places, ideally ones near crossroads where at midnight the devil could appear. The devil was, she heard, getting a bit tired of the blood of a rooster and some cheap rum, and he thought a nice offering of sashimi would be much more the thing. She ate the tentacles and claws, delicately nibbled the thin flowers of white flesh, and managed not to vomit until she was two blocks away from the restaurant. She knew full well the source of the "seafood" that was served to customers--she supposed that was part of the appeal for many of them--and she didn't have any interest in demon-flesh being allowed to absorb into her own. She might be more than half demon herself, but the part of herself that was demon was a pureblood, not mixed by reproduction, breeding program, or regrettable eating habits (all too easy to acquire in the netherworlds).


Inspiration: http://www.flickr.com/photos/37102051@N00/10422965504/ plus a bit of "Drones in the Valley" - Cage the Elephant
Story potential: High.
Notes: Something appropriately creepy for Halloween season. And I like the idea of this kind of setting.
She comes to visit the museum most days that it's open. That's a little strange, but not so terribly unusual for a free public museum as large as ours. Like the library, it's a place where the public feels free to go when they have nowhere else to go. No work, no home? Go to the museum. They sit and stare at the paintings in one room for a while, and then move on to the next. Usually they don't cause any trouble, and they know that they're not allowed to sleep in there. She--is not like them. To begin with, she wears labels that I vaguely recognize from the fashion glossies I try not to indulge in while I'm waiting in the supermarket checkout. To continue with, the burns that ripple across half her face and down to her hand are quite distinctive. And to end with, she only ever goes to one exhibit: the exhibit of Russian artifacts. She goes and she stands in front of the glass case of one of them and strokes the glass with her melted hand. And she whispers to it. Once I got close enough to hear (being human and curious, I guess) and what I overheard gave me the creeps. She called the thing by name, and she talked about the executioner being worth it, and--just generally enough stuff to give me the heebie-jeebies. In Russian, too, and an old-fashioned kind of Russian that I wouldn't have known if I hadn't heard my grandmother talking in it as I grew up.


Inspiration: "Pyotr" -> http://www.maxilyrics.com/bad-books-pyotr-lyrics-faa7.html
Story potential: Low.
Notes: Eh.
"We want to take him out on a fact-finding mission. He is the only chance we have to infiltrate one of our own among the ruling vamps and find out what they are up to with this new plan." She stared, aghast. "You have us torture him for more than a decade, and now you want to let him go? Are you insane? He isn’t one of our own and he never will be." "No, my dear, but you are. You have established yourself as his control. You are psychological dominant. All the controls and triggers we have carefully carved into him over the decades will help you keep him under control. He will go, with you as his blood-servant. That position will protect you from the others. You can control him, subtly--or unsubtly if need be. You are trained to battle the vamps, you can resist their whims in a way that will make it more believable that he is your blood-bonded. He will listen to you, he must, you have been the only stable point in his sea of pain and confusion." "But he’s mad!" "Indeed. And that is not so uncommon either, as we know, among the older and greater of them. It will seem entirely plausible, I assure you. You need not worry about that part of it." "That's not--I'm not worrying about a *part*. I'm worrying about the whole thing! This idea is mad! Crazy! You will be throwing away my life and all the good that we've gotten out of him over the last couple of decades." The bishop leaned back and shrugged. "The information we've gotten from him, and the knowledge of vamp capabilities and physiology, will not change. That we already have as much as we can get. What we have from him is done. We cannot get anything else out of him that will be new--unless we put a leash on him and take him out into the field."


Inspiration: "Slither" - Velvet Revolver
Story potential: High.
Notes: I like the potential for this one, even if vampires are perhaps burned out in genre. Lots of potential for some very dark stuff, studying effects of torture, Stockholm Syndrome, PTSD etc. Also potential for kinky sexual stuff--no actual sex, though. Making that a thing that will never happen between them makes the dynamic a lot more interesting, I think.
When you see the man in black sitting at the bar, don't go sit down next to him. If you hear him tell somebody he's a record producer, don't listen. If you've got a gig in the bar, leave. Blow it off. You don't want the man in black to come to your attention. If you're about to leave, carrying your guitar, and the man in black looks over his shoulder at you and he's got this expression in his eyes that you know just means he's seen you and he really wants to hear you and this i your one big shot, run for your life. Why do they call him the man in black? He claims to be a big fan of Johnny Cash, and to wear black in his honor, but when he says it he gets this funny smile around the corners of his mouth, kinda like your Uncle Buck did when he was talking about the big fish that got away. It's a strange world, you should know that. You've seen some things at gigs. Don't let the man in black buy you a drink and talk you up. Especially don't let him pull out a contract and hand it to you. Don't expect to smell brimstone or see his eyes flash red or anything like that. This isn't that kind of deal. He might be a devil and he might be after your soul, but if there's that language in the contract it disappears when you show any signs of reading all the way through it. Nope, it's a standard abusive recording-industry contract, and don't you forget it. But then once you've signed on, he's got you buying at the company store, and he can send you anywhere he wants with any kind of people he wants. And if you notice that all the roadies and hangers on and even your PR agent and everybody around you is doing some hardcore drugs but functioning just fine, it might be hard to stay clean. And if he sends ten truly gorgeous strippers inside your private limousine with the tinted windows with you, because that’s the impression they want to make on the fans, and the strippers start to make advances, and you're not actually paying them anyway, and nobody will know, and there's no way your girlfriend back home would ever find out--well, that's another way he's getting you to sell your soul. If he tells you he's arranged a remunerative private performance for somebody you find out committed some serious human rights violations, it's easy to tell yourself that you're just there to perform.


Inspiration: Sheet of stamps with Johnny Cash on them.
Story potential: Low.
Notes: Eh. This is heading away from the paranormal angle, and is generally not very interesting to me.
It was a smallish house, with a pair of dispirited palm trees in the front yard that would neither shade anything nor agree to die, as she knew from experience. It wasn't entirely dilapidated, but nobody could call it inviting. The swamp had begun to encroach on the back lawn, although the real estate agent had been very insistent that it wasn't actually a swamp, had no connection to a real swamp, and certainly wouldn't produce any alligators. It looked like a house that nobody in their right mind would want to buy. She didn't want the house either. What it was sitting on top of, on the other hand-- "Perfect!" she said with a smile. The real estate agent stared blankly at her for a moment and then summoned his best shiny white grin, as if he'd known it all along. He was very good at his job; she barely saw the confusion in his eyes.


Inspiration: Google "chittering" -> real estate listing, http://www.realestate.com.au/property-lifestyle-wa-lower+chittering-7336721
Story Potential: Low.
Notes: Eh. Nothing wrong with this, just nothing that grabs me. Could go a number of places.
Say my name! Doesn't anybody want to play? The best he could do was get those lyrics into a popular singer's head, but he couldn't even manage to work in his name. Generally, it was hard to get that in the lyrics, but some of his compatriots had had some success working it in when the record was played backwards. Alas that modern technology had entirely ruined that avenue. Now they were reduced to figuring out how to get it into the DVD as an Easter egg, but for one thing, they were personally repelled by the term Easter egg and figured that You-Know-Who had done that deliberately to forestall them, and for another thing, they were not very technically skilled. Although they did have at least one of the big guys in the industry in their pocket, they rather suspected that he had gone out of his way to invent a new operating system that did not allow such subtle manipulations simply as a way to thwart them. Of course, they retaliated by breaking his products as often as they could.


Inspiration: "Hear My Name" - Armand Van Helden
Story Potential: Low.
Notes: Funny bit about the computers, though.
It was a room in Hell--with a view. Some days she wasn't sure if the view was a blessing or a torment. Some days she was convinced that it was a random feature of Hell, perhaps something put in so that Hell wasn't entirely and always truly Hell. Hell was the absence of God, the absence of all that was good and wonderful, and everything that resulted from that simply came from them all trying to feel something--anything! There was a dominatrix who had briefly smiled and been banished to solitary forever because she wasn't able to--. Once, looking out the window, she saw a little girl with light brown hair eating a big round rainbow colored lollipop as she skipped along. She'd held that memory close for three eternities, or perhaps it was only three seconds. Same difference.


Inspiration: http://www.flickr.com/photos/ldossantos/7186698541/
Story Potential: Low.
Notes: Eh. Nice photo, though.
The dying do their own work. They finish what must be finished--which is their death. That is all that they need to do. A very few have other things that must be done, even at the end. Words to a loved one. Reassurance. The last piece of a project. Usually these things fall away as death grows near, but sometimes the need grows. We think that's what happens to create zombies. You thought I was going to say ghosts, didn't you? No. The mild hauntings that you hear about sometimes? Those are just--


Inspiration: "Letting Go of What Cannot be Held Back" - by Bill Holm
Story Potential: High, mostly because of the tropes it spins about.
Notes: A zombie death before completion? That's what causes Hungry Ghosts--MUCH harder to deal with. Also, 'hauntings' is so a word!
Sometimes gauntlets weren't enough, and the tentacles wrapped around and slid under, touching skin, suckering flesh with that sickening caress that had intoxicated thousands and killed hundreds. Some said why was it so bad, if fewer than one in a hundred died of it? That was lower than the rate at which alcohol complications killed people. The quick answer was that it wasn't an accident. It was a deliberate assessment on the part of the tentacled ones as to what the humans would tolerate, what death rate was "acceptable." That they appeared to have calculated correctly made it even worse. And what, she always asked in return, what if it became allowed? What then? How many people would resist? And once the majority was in their thrall, what would they calculate the acceptable loss rate to be then? Addicts could stand a lot of risk to get their fix.

Inspiration: My fingerless glove/wristlets sitting on my writing desk.
Story Potential: High.
Notes: I like the invasion-as-War-on-Drugs idea. Though I *would* need to consider some more to figure out what slant I want and what inadvertent metaphors I want to avoid.
The ghost puppet show made her gurgle with laughter. Ghosts might not be the best playmates a girl could have, but for shadow bedtime stories, they were the best ever! She watched with wide eyes as a shadowy rider ran up a hill to a mansion with flickering windows--and she clapped her hands. Here! she said. "That's home!" The rider nodded his head, as if in acknowledgment, and knocked on the door. A faint, ghostly rattle of chains mimicked the sound of the door swinging open. Ghastly long arms reached out and pulled the rider into the castle. "And that's Great-Grandpa Edmund!" she exclaimed. Great-Grandpa Edmund was locked up in the basement now--

Inspiration: Ghost story puppet show benefits kids' charity: http://www.boingboing.net/2010/11/19/gothic-horror-puppet.html
Story Potential: Medium.
Notes: Moderately entertaining, nothing spectacular.
Life's a respirator when you got the sinner style. And hell, did she ever have it. Sucking a few quick years (the good ones, not the ones at the end, when they were hacking with emphsysema) off the smokers around the card table, taking some good luck from a guy on a hot run with a flick of her wrist. She shot a few tables of pool with some guys who thought she was hot, and left them with no chance of getting laid for a month, but her sex appeal went up to the gazillion level.

Inspiration: "Death of It All" - Rob Zombie
Story Potential: Medium.
Notes: Fun character, not too original though, and no particular story here.
So there I stood, feeling kind of foolish, blood on my mouth, my hands, and all over my shirt--of course I hadn't worn dark clothes or bothered with a bib, because I wasn't going to eat people anymore. And Rhonda was so proud of me, too, for losing some of that blood lust and the unsightly tooth length that went along with it. The diet was working! But then I saw the bubbly blonde in the low-cut dress and--poof! There went my self-control. It wouldn't help that she was blonde, either. Rhonda knew well that I had a weakness for blondes; it's how she became part of the diet plan, after all. This was worse than the time I'd sleep-walked and found myself in front of the fridge with a whole pound of butter in my hands.

Inspiration: LJ spotlight on the [livejournal.com profile] trashy_eats community.
Story Potential: High.
Notes: Not sure where this would go from here, but the set-up is really entertaining!
It was tithe day, and the overlord's collector sighed as he approached the Valle estate. Always there was more work there, though also more profit, and it could not be said that they did not abide by the tax rules. People who lived there died a little younger than elsewhere, but they did not have to fear being taken on tithe day, or losing their children. A child was a simple enough thing to take with him, however, and the Valle had an arrangement that was far from simple. Behind the tax collector a huge wagon filled with glass globes trundled along.

Inspiration: Pondering taxes. The taxman cometh. Thinking about tithes other than money.
Story Potential: Medium
Notes: Neat set-up, but only a set-up.
She nursed her own child as long as she could, but it didn't take very long before the child was full and sleepy and her master noticed. Then he sent for his dogs. She did not want to watch as they suckled at her breasts, but eventually, she did, if only to wince and brace herself for a nip from their teeth if she moved wrong, or to push them away if they started getting rowdy--her master allowed her that much, at least. In time, she could not help herself from noticing the differences in the faerie hounds, their silky ears, and the way their eyes turned to her, sometimes, when the master scolded them, as if they asked her for help. She began to not fear their feeding time so much. She would whisper in their ears, stories of what might happen once her child was weaned.

Inspiration: News of the Weird: In Uganda, "for seven years had been forced to breastfeed her husband's hunting dogs as she was nursing the couple's own children. Farmer Nathan Awoloi of Pallisa explained that his dogs needed to eat, and since he was forced to send Jennipher's family two milk cows in order to win her hand, he felt his demands were reasonable. "
Story Potential: High
Notes: Well, it's creepy enough that it could work pretty well with a dark fairy tale.
She caught the nightmare with a carefully baited trap: her little sister after she kept her up really late watching Halloween with her. It worked, and it was totally worth it, even if it did make her mother ground her for a month. And her little sister's constant nightmares for the next week gave her something to feed the nightmare colt with while she worked on taming it. She hadn't been exactly sure how she could go ahead with bridling such a creature, but it turned out that weaving together strands of dream catchers worked like, well, a charm! And then she learned how to feed the animal--not with her own dreams, since she never had nightmares, and hadn't since she was super-small--but by walking it around the town at 2 a.m. If there was nothing, she'd lurk outside a kid's bedroom window and play the tape of Halloween sounds she'd unearthed from the attic.

Inspiration: The nightmare beast in Phil's Dark Sun one-shot.
Story Potential: High.
Notes: I like the idea that this could turn her into something mythic, and not exactly on the good side of good vs. evil, but not really evil either.
A secret message came to him that day, written in the entrails of his pet bird. He wept when he found it dead in its cage, one wing outstretched towards the mirror hanging inside, as if it were trying to tell him something. He buried it with all respect in a shoe box, with his daughter saying a sincere prayer that Mr. Fleddie would be happy and that there was plenty of rennet seed in heaven. That night, one minute to midnight, he dug the shoe box back up and carried it into his workshop in the garage. A quick vivisection and a long study of Mr. Fleddie's entrails told him the secret message that the bird had died to carry back from the land of the dead. He saw himself dead, but more importantly, his whole family, his wife and his parents and his little girl and the babe unborn in his wife's stomach that he hadn't even known about until he read his future.

Inspiration: "Secret Message," by Rasputina
Story Potential: Low.
Notes: Though this bit's interesting, the story isn't.
She was wondering what to make for dinner when she heard the radio talking about a zombie outbreak 20 miles south of her town, and suddenly deciding between pot roast and spaghetti with meatballs just didn't seem that important. Neither did the dirty kitchen floor, or the unfolded laundry, or that annoying bitch at the PTA meetings. A great many of the things that she'd let build up around her like a coral reef suddenly didn't matter anymore. She picked up her cellphone and dialed her husband's number. When he answered, she just said, "Did you see the news?" When he said yes, she told him, "You'll have to pick up the kids from school, and you're on your own for dinner. Maybe longer. I'll try to call, if rioters haven't knocked down the cell towers by now. Or if survivors didn't try to climb them and the zombies knocked them over." She hung up without waiting for him to answer, and went up to the attic, to her cedar chest. Underneath blankets and her wedding dress, she found her black leather pants, bodice, gloves, jacket, and wide choker. They still fit--barely, and thank goodness for that kettleball class--though she felt half-ridiculous wearing them. The other half of her surged forward, victorious, elated, and ready to kick ass.


Inspiration: AC/DC "Back in Black"
Story Potential: High?
Notes: It's a good sign that I felt compelled to keep writing past the two minutes, until I got a bit more done. This can be ass-kicking and still speak to that part of most women that misses the things they had to give up for husband or family. Even the happiest woman will be wistful now and again. (Kettleballs thanks to Opheliac9.) And yeah, she's about to go fire up her old motorcycle.
I don't like the dentist, even though he gives me a lollipop after he takes my teeth. I asked Mommy if he was the Tooth Fairy, but she said no. Her voice was funny when she said it. I think she doesn't like the dentist, but he doesn't make her write a lot of things down on papers like other dentists did. She didn't like doing that. The dentist looks at me funny when I lie down on the table for him. He doesn't have a chair like other dentists. There are animal heads all around up on the walls. They all have teeth. I think the little badger in the corner has mine. I saw a chip on the corner, right where I tripped and fell and hit my tooth on the edge of the table. Once when I went to the dentist, there was a huge dead skunk lying on the table that he had to move before he could take care of my teeth. I smelled funny a long time after.


Inspiration: Strange, Weird, and Wonderful's Winter 10 prompt.
Potential: Medium-high? High?
Notes: It's weird and dark and I like that. If this is a story, though, it's probably too long for their contest--besides which, they don't pay for the contest entries. Which is fine, but makes it not my first choice. I dunno. Ether has to come into this somewhere, and fairyland, and legends of talking beasts. And dreams.
The rot started in his toe, and he didn't really worry much until it got up to his ankle. One could live with a possessed toe, or no toe at all if somehow a possessed toe became a problem. Nobody would comment on a bright red digit. Everybody had had their little scrapes with demons. A possessed foot--was a little more worrisome, especially once it got to the ankle. It couldn't make him kick anybody, but it might bend at a crucial moment, might let him down and make him fall, or drop something, or drop someone. A possessed foot might mean not being able to hold his daughter ever while he was standing. It wasn't like it was his leg, or even up to his knee, which would lead to the possessed limb being able to kick somebody. It was just a foot. But it was enough.


Inspiration: Infected hangnail in my toe. Ow.
Potential: Low
Notes: Though I like the idea of possession in parts, and having it spread sort of like infection often does.

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penthius

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