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Right here, right now, is all we got. I tell myself that because I hate the part that comes next. The flying, mostly. The being shot at is bad, too, but if they don't hit you you don't even notice it. If they do hit you, you're dead. The explosions take some getting used to, and I'm pretty sure I have some kind of PTSD, but I can still shove it down and ignore it. For now. No, it's really the flying. I must be the only superhero who, when they found out that they had an ace power, broke down and wept with terror. I hate heights, you see. It's why I learned how to backfly. People think I'm showing off, but it's really that I can't stand to look down. If I'm looking at the clouds, I can pretend I'm floating on the ocean.

Inspiration: An anthology call for superhero stories, looked up the art and it was all flying folks.
Story potential: High.
Notes: Eh. Could be interesting to have a whole team of conflicted superheroes who support each other and understand and etc., but one on it's own not as much. Actually, waitaminit, that makes it high potential. Yeah. I like it.
I'm becoming less defined as days go by. This is--a strangely fascinating process, to me at least. To everybody else, I suppose it's the exact opposite since you don't see me as much or as often or, let's face it, as me. I think. Part of me thinks that I’ll end up being nothing because of this whole process. Another part of me thinks that I'll eventually let all the peripheral parts of myself turn into mist that blows away to reveal the real hard bedrock of who and what I really am, and maybe the mists will enclose about me to confuse everyone, like an island in the fog, or maybe the mist will be gone forever and the truth of who I am will burn so brightly that people will start wearing sunglasses at night. Heh. I see that even if much about me is becoming less defined, my tendency towards hyperbole is unassailed. I don't know. I go to a restaurant these days, and I stare at the menu for an hour because I can't remember what I like or don't like or if it's even important. It doesn't really matter, though, since more than half the time the waitress won't even be able to see me to take my order. Or she sees me, rather, but doesn't find it interesting. In the end, the last time I went out, I just walked into the kitchen and lifted a plate and carried it back out with me to eat. I think the chef might have seen me when I touched the plate, but as soon as I lowered it below the level of his counter, I became--not invisible, but unimportant to him again.


Inspiration: "Only (Richard X Mix)" - Nine Inch Nails
Story potential: Medium
Notes: Could be a character, if supported by stronger characters. Not a story-carrier on his own.
Day 2333

It was like a nightmare walking, or to be more precise, it was like walking down the street and bumping into a nightmare walking without realizing it, and then getting sucked into being a part of its little world for the rest of the day. In this case, the nightmare was a nice-looking old lady in one of those fluorescent pantsuits that seem to be only a good idea for the elderly, and in their case, perhaps only in order to keep from getting run over by younger, stronger, and quicker people. She looked like a nice enough lady, and I didn't expect anything to happen around her, right up until she looked around, frowned, and asked in a vaguely troubled voice, "Is this Florida?" You've got to watch out for the Alzies, that's one of the first things they tell us. So when it started raining flamingos--


Inspiration: http://www.flickr.com/photos/evaxebra/9118026956/ + "Nightmare 2002" - DJ Baby Anne
Story potential: Medium
Notes: What, you don't think this would happen? Look at how much trouble we have just getting car keys away from our elderly.
How do you get the name Discoball? Well, you take drugs and go on a really bad trip, as my grandpappy would say, and you bash your face into a mirror. Let's not get into the deep-level analysis of what the drugs brought up, eh? Let's just leave it at this: now I'm straight-edge, and I've got a face cracked with scars that looked pretty ugly. I got sick of the pitying glances, so I went with inserts and piercings and tats and...well, pretty much anything I could think of. I don't get pitying glances anymore. It might hurt my job prospects some, but let's face it (ha-ha, see, I've still got a sense of humor), nobody was going to hire me for a receptionist even before I got a face full of mirror and the resulting jigsaw of scars. Basic medical wouldn't cover the plastic surgery to fix it, and besides, the idea of getting surgery to fix how I look felt--wrong. I came back to myself with a little bit more than a fucked-up face, you see. Well, I guess you don't see. I haven't showed you yet. Let's fix that.


Inspiration: "Here to Stay" - Korn
Story potential: Medium
Notes: Could be paranormal powers, could be mental for having crossed beyond, could be from some of the "inserts." Could be supervillain, superhero, or just a person with some extras. Eh.
Memorial Day comes around every year, and every year it makes me shiver down to my bones. Around me, hundreds of people remember a "me" that never was, that never existed, and by doing so I feel that they are rewriting me. Some day, I think, I will feel that heroic impulse to fight off a bank robber single-handedly or lift a car from over a trapped toddler. It no longer seems as impossible as it once did. In my darker moments, when I feel the muscles of my arms get stronger, I think that this was what the black bag project was all about to begin with. Everything else was just a scam to get me to agree to become "dead." Sure, the government did things to me, made me a better/worse soldier/human. They programmed me and shot me up with nanobots that were experimental as hell back then and they did all kinds of human behavior modification and training techniques. They did their damnedest to make me a self-improving soldier, and it worked pretty well for pretty long. The war was ending by then, and we were losing, so maybe they were desperate, but--


Inspiration: Looking ahead for future holidays. I like writing stories for certain times of year.
Story potential: High.
Notes: This story really clicked for me when I realized that they'd lost the war and this is some defeated soldier in an occupied (maybe for the best) country that's getting an unwanted makeover every Memorial Day. And he may be pinned into doing something. Somehow. I don't know. Could be good. The reluctant/damaged soldier is a good archetype to play with.
Super-faded out of my mind, she whispered, as she sank back through the couch. Not into, she noted with some surprise, but right the hell on through. "What the hell?" Paul said., staring at her. Not just...the drugs, then. Paul was the sitter, the sober person there to make sure that nothing too truly fucked-up would happen. She felt she could fade right through the walls, and that was thought enough to make her put her hand out and watch it sink into the plaster. It didn't feel like air, it felt like plaster, but somehow it just all squeezed together and let her hand pass into it. "What is this stuff?" she managed to say, distantly. Some part of her brain was--

Inspiration: "Heaven Beside You" - Alice in Chains
Story Potential: High.
Notes: What is it? Why, a government experiment to produce superpowered humans, of course!
The cheat codes were fantastic in this body. She loved them so much, and the things she could do--well! The things she could do made her a little sad that they'd wear the body out so much faster and she'd need to find a new host in ten years instead of the usual thirty. Not that she'd let the host know that, of course. The bodies tended to get upset over little details like that, but they loved being the Scarlet Flyer so much that they said of course, it was worth the symbiont. They thought she was a symbiont! She had to laugh a little at that--all these little host creatures and their optimistic, Terra-centered beliefs.

Inspiration: Phil playing silly Nintendo games.
Story Potential: High.
Notes: Could work as a flash fiction piece, this setting, though I'd need an actual plot here.
The shine in the dark alley was what caught her attention, she said later. It was the last thing she saw. Well, that was poetic license, used by all the newsies, the ones who didn't understand (yet) exactly what she was. Would be. Was becoming. Would always be becoming. She saw plenty of other things after that lone glint. She saw the stones of the alley. She saw the drug dealer sprawled against the wall, and his runner staring with big eyes at the shiny thing clinging to the dirty cement wall. she saw police flashers at the other end of the alley, and uniformed men spilling out of their cars and setting up a perimeter. She saw--and this was strange, she always thought--a little girl watching from a window high up on the wall. No little girl was ever found, but she saw her. And it wasn't like--


Inspiration: The shiny CDs I have up on my office walls.
Potential: High. At least the character.
Notes: So she's technically blind, but can still perceive something, somehow. And this is sort of an origin story. I'm not sure why this story has high potential, but it's got a pull to it.
They call me Spitfire, and they called me that long before I actually could. Spit fire, that is. No, they called me Spitfire because I had red hair and I wouldn't let them get handsy. I might have been a pole dancer, but I wasn't a prostitute, and I made sure they knew it. They liked it. Thought I was spunky. Cute. Not a victim. They didn't have to feel guilty watching me, because they knew that Spitfire wouldn't have put up with anything, and I would have got out if it was something I couldn't handle. I wonder if that time's come now. Is this more than I can handle? I don't know; I haven't really known what's going on since the change happened. I don't know why I ended up becoming a real--

Inspiration: "They Call Me Spitfire" by Prodigy
Story Potential: High.
Notes: Because everybody likes reading stories about strippers made good!

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penthius

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