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She comes to visit the museum most days that it's open. That's a little strange, but not so terribly unusual for a free public museum as large as ours. Like the library, it's a place where the public feels free to go when they have nowhere else to go. No work, no home? Go to the museum. They sit and stare at the paintings in one room for a while, and then move on to the next. Usually they don't cause any trouble, and they know that they're not allowed to sleep in there. She--is not like them. To begin with, she wears labels that I vaguely recognize from the fashion glossies I try not to indulge in while I'm waiting in the supermarket checkout. To continue with, the burns that ripple across half her face and down to her hand are quite distinctive. And to end with, she only ever goes to one exhibit: the exhibit of Russian artifacts. She goes and she stands in front of the glass case of one of them and strokes the glass with her melted hand. And she whispers to it. Once I got close enough to hear (being human and curious, I guess) and what I overheard gave me the creeps. She called the thing by name, and she talked about the executioner being worth it, and--just generally enough stuff to give me the heebie-jeebies. In Russian, too, and an old-fashioned kind of Russian that I wouldn't have known if I hadn't heard my grandmother talking in it as I grew up.


Inspiration: "Pyotr" -> http://www.maxilyrics.com/bad-books-pyotr-lyrics-faa7.html
Story potential: Low.
Notes: Eh.
When you see the man in black sitting at the bar, don't go sit down next to him. If you hear him tell somebody he's a record producer, don't listen. If you've got a gig in the bar, leave. Blow it off. You don't want the man in black to come to your attention. If you're about to leave, carrying your guitar, and the man in black looks over his shoulder at you and he's got this expression in his eyes that you know just means he's seen you and he really wants to hear you and this i your one big shot, run for your life. Why do they call him the man in black? He claims to be a big fan of Johnny Cash, and to wear black in his honor, but when he says it he gets this funny smile around the corners of his mouth, kinda like your Uncle Buck did when he was talking about the big fish that got away. It's a strange world, you should know that. You've seen some things at gigs. Don't let the man in black buy you a drink and talk you up. Especially don't let him pull out a contract and hand it to you. Don't expect to smell brimstone or see his eyes flash red or anything like that. This isn't that kind of deal. He might be a devil and he might be after your soul, but if there's that language in the contract it disappears when you show any signs of reading all the way through it. Nope, it's a standard abusive recording-industry contract, and don't you forget it. But then once you've signed on, he's got you buying at the company store, and he can send you anywhere he wants with any kind of people he wants. And if you notice that all the roadies and hangers on and even your PR agent and everybody around you is doing some hardcore drugs but functioning just fine, it might be hard to stay clean. And if he sends ten truly gorgeous strippers inside your private limousine with the tinted windows with you, because that’s the impression they want to make on the fans, and the strippers start to make advances, and you're not actually paying them anyway, and nobody will know, and there's no way your girlfriend back home would ever find out--well, that's another way he's getting you to sell your soul. If he tells you he's arranged a remunerative private performance for somebody you find out committed some serious human rights violations, it's easy to tell yourself that you're just there to perform.


Inspiration: Sheet of stamps with Johnny Cash on them.
Story potential: Low.
Notes: Eh. This is heading away from the paranormal angle, and is generally not very interesting to me.
Sinner man, where can you run to? You might have thought that was a philosophical, hypothetical sort of question. It's not. I figure that musician didn't know any real heavy people, but he asked all his usual procurers and dealers and finders and fixers and nobody knew the answer, so he went ahead and put it in a song. Crowd-sourcing before there was the internet, if you know what I mean. I'm pretty sure that he found what he was looking for, too. I've seen somebody at the "where" in the where can you run to who looks an awful lot like that musician. He doesn't sing or play music though. Never, not once. I don't know why. There's two possibilities. One is that getting in that door and past that bouncer can require a hell of a bribe, if you don't know anybody, if you're not on the list. The other is that the management got pissed at his swanning around and arbitrarily canceled all deal-with-the-Devil benefits. They can do that, you know. When the deal was for something like the return of life or immortal youth, the results can be really, really ugly.


Inspiration: "Oh, Sinner Man" - Black Diamond Heavies
Story potential: Medium.
Notes: Interesting setting, I guess. Another version of Purgatory, or the In-Between Place.
The death-thoughts lingered in the corridor. What if I make chicken.... I need to find a sitter... Oh god I don't have his money.... I wonder why she looked at him that way.... I ignored the last three ghosts and focused on the chicken. It was a good, strong thought, linked with the taste and look of chicken, so I should be able to track it. I knew the other three thoughts, two from a prostitute murdered by her pimp, and the last one from a boy who'd died accidentally. The chicken thought, though, was new, and I hadn't been called to the morgue to rule out new death-scents. So they didn't know she was dead.


Inspiration: A slate article about cadaver dogs: http://www.slate.com/articles/news_and_politics/explainer/2012/04/etan_patz_search_renewed_can_cadaver_dogs_smell_30_year_old_corpses_.html
Story Potential: High?
Notes: Mm, cadaver telepaths.... I do love this idea for a character.
white broken light, many shadows

The white light overwhelmed her after weeks of nothing but darkness. She remembered colors and light but this had none of that. There was only the harsh white and the shadows moving through it. It was still more beautiful than anything she had imagined in her long sojourn under the city. At first she'd believed the madman would kill her, that he was the reason the newspapers were talking about the girls found without their teeth. But after a bit, she came to believe that he was just going to *keep* her, and in some ways that was worse. She'd started looking forward to death after the first week. Even now, echoes of pain ran along her nerves, and when her hands fluttered up to touch her eyes she found the dreaded wetness of blood. Maybe he'd blinded her. But no--


Inspiration: The picture, "Let Go" by Frou Frou (There's beaty in the breakdown), and "Teeth" by Lady Gaga.
Story Potential: High, perhaps. I like the character origin.
Notes: And she comes out of it rather insane but with abilities she did not have before.
The missile streaked across the sky like a cloud highlighted by the sunset. Two seconds before it wasn't there, two seconds later it was gone, and only the rising sun of the explosion would have told anyone its contrail was anything but a cloud lit by the sunset. We sat in the dhow, stunned, as the island we'd hoped could be sanctuary was destroyed. Suddenly, there was no sanctuary--and worse, we were among the last of our kind still free. Us and the guide, who we had all figured out was a guide because something in him did not click well with the hive.


Inspiration: A Flickr photo of a sunset.
Story Potential: Low.
Notes: This is an okay start, but again, nothing new.
learn to have hope even in the darkest of times.

The words of the prophet were written on the walls of the subway. She didn't know they were the words of a prophet, had never thought of them as more than more trash that should be scraped away or painted over, and wasn't it terrible how city funding had taken away the money so that it wasn't able to maintain such public property better? Though of course she herself would never take the subway, not when she could call the limo around. She'd never thought that the words might remain because they kept coming back, or because no cement blaster could erase them. She'd never thought--not until she found herself running for her life along the subway tracks, her expensive high heels kicked off on the street above, her fur shed as she leapt the turnstile.


Inspiration: The picture above, and The Sound of Silence.
Story Potential: Medium
Notes: Something goes catastrophically (paranormally) wrong for a rich girl who turns out to have unexpected resources she's never had to use. Could be fun. No particular need to write the story, though.
The trick about wiping memories is not to wipe them. That's the misnomer. That's the reason that people think it's never happened--oh, sure, in the beginning, maybe a teen wipes out a school and leaves everybody convinced it was a gas leak that caused oxygen deprivation and some brain damage, but after that, no. They'll be found and they'll be maintained and taught. You can't take something without leaving something else in their place. And an absence will be noticed, will be pushed at again and again, like a tongue at a gap in the teeth. But something misty and hazy, that won't be noticed much, beyond the nagging annoyance that age--

Inspiration: Episode 2 of the Dollhouse.
Potential: Medium-high?
Notes: I like this angle and view of it, but I'm not sure if this is an actual piece or just a fragment.
The shine in the dark alley was what caught her attention, she said later. It was the last thing she saw. Well, that was poetic license, used by all the newsies, the ones who didn't understand (yet) exactly what she was. Would be. Was becoming. Would always be becoming. She saw plenty of other things after that lone glint. She saw the stones of the alley. She saw the drug dealer sprawled against the wall, and his runner staring with big eyes at the shiny thing clinging to the dirty cement wall. she saw police flashers at the other end of the alley, and uniformed men spilling out of their cars and setting up a perimeter. She saw--and this was strange, she always thought--a little girl watching from a window high up on the wall. No little girl was ever found, but she saw her. And it wasn't like--


Inspiration: The shiny CDs I have up on my office walls.
Potential: High. At least the character.
Notes: So she's technically blind, but can still perceive something, somehow. And this is sort of an origin story. I'm not sure why this story has high potential, but it's got a pull to it.
She played with their marbles, ratcheting them up in little lines and then shooting them off to bounce around edges and off each other straight to insanity. It was a fun game. She was pretty upset when her mother noticed and confiscated all their marbles and gave them back, but that was what mom's did, she guessed: they spoiled the fun. Then there were endless long lectures about why playing with other people's marbles was bad and would she like it if somebody played with her marbles? She said that nobody could, and her dad muttered, "I wouldn't be so sure about that," with a really uneasy look on his face that made her pay a little bit more attention and be a little bit more worried, but her mom just scowled at him and made him be quiet. That was the last time she was ever lectured by her parents, but she really wished--

Inspiration: A marble mixed in with pebbles in the bottom of the vase of origami flowers I keep on my desk.
Story Potential: High, actually.
Notes: And why does she never get lectured again? Oh, that's because her parents commit murder-suicide later that week, and she's sent into the foster-care system with the really uneasy feeling that somebody messed with her parents' marbles.
I smelled death and decay and rot on my blind date, even though he smiled with bright white teeth and dressed nicely and was handsome and funny and wore tasteful cologne. I never wore my nose plugs on dates or interviews or anything important. My grandmother would have told me never to wear nose plugs at all, but she'd lived in the country. She'd never had to deal with the constant stink of this many people so close together. And even she had moved to the other side of her little county to get away from a pig farm. I didn't have that kind of money, so I couldn't move away. That was one of the things I'd given up when I'd decided not to become a perfumer in a--

Inspiration: On the bus, reading one of the Greywalker books and thinking about vampires. I want to see the old non-sexy vampires make a comeback.
Story Potential: High.
Notes: Don't know where the perfume stuff came from. It's important to note that this main character isn't a werewolf. Is. Not.
The surrogate arrived in town as the church bells tolled the death of the minister. It was a bone-chilling thing, to see the man in dusty black riding into town on the back of a donkey. That was the first thought he had. The second thought was to wonder if the surrogate had waited outside town until the bells began to chime before riding in. That was chilling in another way, but it was a bit reassuring, too. There was the slight hope that the man wasn't a supernatural agent, at least in the strictest sense. Of course, he wanted the surrogate to succeed, to discover the guilty party that had been near to destroying the town when the minister died, and seemed to have taken only a short break since. But he didn't want a creature--

Inspiration: "Surrogate" - the secondary meaning, that of a deputy acting in place of a religious figure.
Story Potential: High.
Notes: Mystical and creepy and westerny, woo!

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penthius

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